This book investigates the discursive and performative strategies employed by Australian Indigenous rappers to make sense of the world and establish a position of authority over their identity and place in society. Focusing on the aesthetics, the language, and the performativity of Hip Hop, this book pays attention to the life stance, the philosophy and the spiritual beliefs of Australian Indigenous Hip Hop artists as 'glocal' producers and consumers.
This book investigates the discursive and performative strategies employed by Australian Indigenous rappers to make sense of the world and establish a position of authority over their identity and place in society. Focusing on the aesthetics, the language, and the performativity of Hip Hop, this book pays attention to the life stance, the philosophy and the spiritual beliefs of Australian Indigenous Hip Hop artists as 'glocal' producers and consumers.
Chiara Minestrelli holds a PhD in Australian Indigenous studies from Monash University (2015). She is visiting professor in the Africana Studies Program at Lehigh University. She has published on Australian Indigenous literature and Hip Hop and Australian Indigenous Hip Hop.
Inhaltsangabe
Introduction: Culture on the Stage of History: The Past Is Present in 'Indigenous Hip Hop' Chapter 1: "The Black from Down-Unda": Contact Zones and Cultures of Black Resistance Chapter 2: "2 Black 2 Strong": The Politics of Blackness and Identification Chapter 3: 'Indigenous Hip Hop': The Politics of Identity and Representation Chapter 4: "Know Our True Identity": Indigenous Articulations of Identity through Kin, Place, and Spirituality Chapter 5: Hip Hop and Australian Indigenous Youth: New Modes of Political Participation Conclusion: 'Indigenous Hip Hop': History in the making
Introduction: Culture on the Stage of History: The Past Is Present in 'Indigenous Hip Hop' Chapter 1: "The Black from Down-Unda": Contact Zones and Cultures of Black Resistance Chapter 2: "2 Black 2 Strong": The Politics of Blackness and Identification Chapter 3: 'Indigenous Hip Hop': The Politics of Identity and Representation Chapter 4: "Know Our True Identity": Indigenous Articulations of Identity through Kin, Place, and Spirituality Chapter 5: Hip Hop and Australian Indigenous Youth: New Modes of Political Participation Conclusion: 'Indigenous Hip Hop': History in the making
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