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This book focuses on the â aural turnâ in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound - â post-verbatimâ theatre, 'amplified storytelling (works using microphones and headphones), and â gig theatreâ that incorporates live music performance.

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Produktbeschreibung
This book focuses on the â aural turnâ in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound - â post-verbatimâ theatre, 'amplified storytelling (works using microphones and headphones), and â gig theatreâ that incorporates live music performance.
Autorenporträt
Duka Radosavljevi¿ teaches at the Royal Central School of Speech and Drama, University of London. She is the author of the award-winning monograph, Theatre-Making: Interplay Between Text and Performance in the 21st Century (2013), and editor of Theatre Criticism: Changing Landscapes (2016) and The Contemporary Ensemble: Interviews with Theatre-Makers (2013).