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In "Aunt Rachel's Fur, " Raymond Federman--French by birth, American by adoption, Jew by memory--plays with the language of his childhood to construct a story from digressions. Federman's narrative spirals into a temporal abyss as he rummages in old memories tattooed with cabbages, plump breasts, and the Final Solution. His book swirls with the narrative innovations that mark him as a leading experimenal surfictioneer.