This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia's film industries.
This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia's film industries.
Dr Olivia Khoo is Associate Professor of Film and Screen Studies at Monash University
Inhaltsangabe
Acknowledgements List of Figures 1. Introduction: Theorising Asian Cinema as a Regional Cinema 2. Pan-Asian Filmmaking and Co-Productions with China: Horizontal Collaborations and Vertical Aspirations 3. Re-making Asian Cinema: Inter-Asian Remakes and Asian Omnibus Films 4. From Film Festivals to Online Streaming: Circuits of Distribution and Exhibition 5. Queer Asian Cinema and the Short Film Format: Rethinking Female Authorship 6. Archiving Asian Cinema 7. Asian Cinema in 3D: Regional Technical Innovation Epilogue: New Regional Intimacies Notes Bibliography
Acknowledgements List of Figures 1. Introduction: Theorising Asian Cinema as a Regional Cinema 2. Pan-Asian Filmmaking and Co-Productions with China: Horizontal Collaborations and Vertical Aspirations 3. Re-making Asian Cinema: Inter-Asian Remakes and Asian Omnibus Films 4. From Film Festivals to Online Streaming: Circuits of Distribution and Exhibition 5. Queer Asian Cinema and the Short Film Format: Rethinking Female Authorship 6. Archiving Asian Cinema 7. Asian Cinema in 3D: Regional Technical Innovation Epilogue: New Regional Intimacies Notes Bibliography
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