This was first publised in 2000: This volume of essays explores some of the ways in which art was used to express, to celebrate, and to promote the political and religious aims and aspirations of those in power in the city states of central Italy in the 13th and 14th centuries. The contributions focus on four centres: Siena, Arezzo, Pisa and Orvieto, and range over a number of media: fresco, panel painting, sculpture, metalwork, and translucent enamel. This is the first volume in the series Courtauld Institute Research Papers. The series makes available original recently researched material on…mehr
This was first publised in 2000: This volume of essays explores some of the ways in which art was used to express, to celebrate, and to promote the political and religious aims and aspirations of those in power in the city states of central Italy in the 13th and 14th centuries. The contributions focus on four centres: Siena, Arezzo, Pisa and Orvieto, and range over a number of media: fresco, panel painting, sculpture, metalwork, and translucent enamel. This is the first volume in the series Courtauld Institute Research Papers. The series makes available original recently researched material on western art history from classical antiquity to the present day.
Joanna Cannon is a lecturer at the Courtauld Institute of Art and author, with André Vauchez, of Margherita of Cortona and the Lorenzetti. Sienese Art and the Cult of a Holy Woman in Medieval Tuscany, University Park 1998. Beth Williamson is a lecturer in the History of Art at the University of Bristol.
Inhaltsangabe
Contents: Introduction; Secular power and the sacred in the art of the central-Italian city-state, Joanna Cannon; The decoration of the west wall of the Sala del Mappamondo in Siena's Palazzo Pubblico, Thomas de Wesselow; Reconstructing the programme of the tomb of Guido Tarlati, Bishop and Lord of Arezzo, Georgina Pelham; The reliquary of the Holy Corporal in the cathedral of Orvieto: patronage and politics, Giovanni Freni; San Ranieri of Pisa: a civic cult and its expression in text and image, Lily Richards; Coppo di Marcovaldo's Madonna del Bordone: political statement or profession of faith? Gianna A. Mina; Civitas Virginis? The significance of civic dedication to the Virgin for the development of Marian imagery in Siena before 1311, Bridget Heal; Index.
Contents: Introduction; Secular power and the sacred in the art of the central-Italian city-state, Joanna Cannon; The decoration of the west wall of the Sala del Mappamondo in Siena's Palazzo Pubblico, Thomas de Wesselow; Reconstructing the programme of the tomb of Guido Tarlati, Bishop and Lord of Arezzo, Georgina Pelham; The reliquary of the Holy Corporal in the cathedral of Orvieto: patronage and politics, Giovanni Freni; San Ranieri of Pisa: a civic cult and its expression in text and image, Lily Richards; Coppo di Marcovaldo's Madonna del Bordone: political statement or profession of faith? Gianna A. Mina; Civitas Virginis? The significance of civic dedication to the Virgin for the development of Marian imagery in Siena before 1311, Bridget Heal; Index.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
