Drawing on rich archival research and focusing on works by leading artists including Guido Reni and Gian Lorenzo Bernini, Karen J. Lloyd demonstrates that cardinal nephews in seventeenth-century Rome â those nephews who were raised to the cardinalate as princes of the Church â used the arts to cultivate more than splendid social status.
Drawing on rich archival research and focusing on works by leading artists including Guido Reni and Gian Lorenzo Bernini, Karen J. Lloyd demonstrates that cardinal nephews in seventeenth-century Rome â those nephews who were raised to the cardinalate as princes of the Church â used the arts to cultivate more than splendid social status.
Karen J. Lloyd is Assistant Professor in the Department of Art at Stony Brook University.
Inhaltsangabe
Introduction PART I: The Cardinal Nephew 1. Obedience. Scipione Borghese and the Cardinal Nephew as Servant 2. Prudence. Paluzzo Altieri and the Cardinal Nephew as Padrone PART II: The Ex-Cardinal Nephew 3: Pietas. Francesco Barberini and the Ex-Cardinal Nephew as Model 4. Fidelity. Paluzzo Altieri and the Ex-Cardinal Nephew as Intimo 5. Order. Flavio Chigi and the Ex-Cardinal Nephew as Collector Conclusion
Introduction PART I: The Cardinal Nephew 1. Obedience. Scipione Borghese and the Cardinal Nephew as Servant 2. Prudence. Paluzzo Altieri and the Cardinal Nephew as Padrone PART II: The Ex-Cardinal Nephew 3: Pietas. Francesco Barberini and the Ex-Cardinal Nephew as Model 4. Fidelity. Paluzzo Altieri and the Ex-Cardinal Nephew as Intimo 5. Order. Flavio Chigi and the Ex-Cardinal Nephew as Collector Conclusion
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