Amid the hundreds of 'how-to' books that have appeared in recent years, there have been very few which attempted to analyze the mysteries of play-construction. This book does just that.
Amid the hundreds of 'how-to' books that have appeared in recent years, there have been very few which attempted to analyze the mysteries of play-construction. This book does just that.
Lajos Egri (1888-1967) was born in Hungary and founded the Egri School of Writing in New York City in the 1930s. In addition to writing books, he spent his life writing and directing plays in both the United States and Europe, as well as writing screenplays for the film industry.
Inhaltsangabe
CONTENTS INTRODUCTION FOREWORD PREFACE I PREMISE II CHARACTER 1. The Bone Structure 2. Environment 3. The Dialectical Approach 4. Character Growth 5. Strength of Will in a Character 6. Plot or Character -- Which? 7. Characters Plotting Their Own Play 8. Pivotal Character 9. The Antagonist 10. Orchestration 11. Unity of Opposites III CONFLICT 1. Origin of Action 2. Cause and Effect 3. Static 4. Jumping 5. Rising 6. Movement 7. Foreshadowing Conflict 8. Point of Attack 9. Transition 10. Crisis, Climax, Resolution IV GENERAL 1. Obligatory Scene 2. Exposition 3. Dialogue 4. Experimentation 5. The Timeliness of a Play 6. Entrances and Exits 7. Why Are Some Bad Plays Successful? 8. Melodrama 9. On Genius 10. What Is Art? -- A Dialogue 11. When You Write a Play 12. How to Get Ideas 13. Writing for Television 14. Conclusion APPENDIX A. Plays Analyzed APPENDIX B. How to Market Your Play APPENDIX C. Long Runs on Broadway INDEX
CONTENTS INTRODUCTION FOREWORD PREFACE I PREMISE II CHARACTER 1. The Bone Structure 2. Environment 3. The Dialectical Approach 4. Character Growth 5. Strength of Will in a Character 6. Plot or Character -- Which? 7. Characters Plotting Their Own Play 8. Pivotal Character 9. The Antagonist 10. Orchestration 11. Unity of Opposites III CONFLICT 1. Origin of Action 2. Cause and Effect 3. Static 4. Jumping 5. Rising 6. Movement 7. Foreshadowing Conflict 8. Point of Attack 9. Transition 10. Crisis, Climax, Resolution IV GENERAL 1. Obligatory Scene 2. Exposition 3. Dialogue 4. Experimentation 5. The Timeliness of a Play 6. Entrances and Exits 7. Why Are Some Bad Plays Successful? 8. Melodrama 9. On Genius 10. What Is Art? -- A Dialogue 11. When You Write a Play 12. How to Get Ideas 13. Writing for Television 14. Conclusion APPENDIX A. Plays Analyzed APPENDIX B. How to Market Your Play APPENDIX C. Long Runs on Broadway INDEX
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