A rich history and moving look at the accessible, immersive art embedded in the Paris subway system. Submarine wall decorations, a ceramic declaration of human rights, a stained-glass red hen, a mosaic mouth, an aedicule made of Murano glass. The Paris Metro, the city's public subway network, has been exhibiting on its walls for over a century, through works imagined by French and foreign artists, punctuating and enhancing the underground travels of Parisians and tourists.
A rich history and moving look at the accessible, immersive art embedded in the Paris subway system. Submarine wall decorations, a ceramic declaration of human rights, a stained-glass red hen, a mosaic mouth, an aedicule made of Murano glass. The Paris Metro, the city's public subway network, has been exhibiting on its walls for over a century, through works imagined by French and foreign artists, punctuating and enhancing the underground travels of Parisians and tourists.
Anaël Pigeat is an art critic, an editor at large for the Art Newspaper France, a journalist for Paris Match, a columnist for France Culture, as well as an exhibition commissioner and author of exhibition catalogues and books on contemporary design. She holds a master’s degree in contemporary arts from the École du Louvre and a master of arts from the Courtauld Institute of Art. Philippe Garcia is a gifted photographer whose talents span the art of still life as well as stage production and reporting. He works for the fashion industry, media, and advertising. He has authored, among other works, the photographs for Christian Louboutin (Rizzoli), Longchamp (La Martinière), Piaget (La Martinière), Pierre Frey: Inspiring Interiors (La Martinière), and Napoléon: A Private View (Abrams).
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