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This work provides a landmark in early twentieth century publishing summarizing the most up to date findings in all branches of the social sciences at a formative time and during a period of decisive historical discovery.
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This work provides a landmark in early twentieth century publishing summarizing the most up to date findings in all branches of the social sciences at a formative time and during a period of decisive historical discovery.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 434
- Erscheinungstermin: 29. Oktober 2013
- Englisch
- Abmessung: 234mm x 156mm x 23mm
- Gewicht: 608g
- ISBN-13: 9780415869690
- ISBN-10: 0415869692
- Artikelnr.: 37321966
- Verlag: Taylor & Francis
- Seitenzahl: 434
- Erscheinungstermin: 29. Oktober 2013
- Englisch
- Abmessung: 234mm x 156mm x 23mm
- Gewicht: 608g
- ISBN-13: 9780415869690
- ISBN-10: 0415869692
- Artikelnr.: 37321966
W. Deonna, A. de Ridder
Introduction
Schema
1: The Aim of Greek Art. Art and the City
I: The Artist and the Public. Tradition
II: The Useful and the Beautiful 1
III: Art and Religion 1
IV: Art and the Political Constitution 1
V: Art and Historical Events
VI: Art and Social Rank 1
VII: Art and Manners 1
VIII: Art, its Civic Teaching. Social Rôle of the Artist
IX: Transformation in the Social Character of Greek Art
2: Agents for the Practical Application of Artistic Aims. Groups of Artists and Artistic Personalities
I: Ethnic Groups
II: Ionian Art 1
III: Dorian Art 1
IV: Reconciliation of the Two Tendencies
V: Attic Art
VI: Local Schools
VII: Artistic Individualities 1
3: Realization. Technical Problems
I: The Various Branches of Art and the Choice of Material
II: Pose
III: Anatomy 1
IV: Drapery
V: The Analytic and Synthetic View. Harmony, Rhythm, "Symmetria," Proportion, Composition 1
VI: Distance and Atmosphere as they Affect the Appearance of Things. Chiaroscuro, Modelling, Perspective 1
VII: The Ideal and its Evolution
VIII: Some Aspects of the Greek Ideal
IX: Evolution of the Ideal
X: From the Earliest Days to the End of the 6th Century. Elaboration of Technique and Ideal
XI: The 5th Century. Technical Mastery, Idealism
XII: The 4th Century. Beginnings of Realism 1
XIII: The Hellenistic Period. Apogee of Realism 1
XIV: The Decline. Exhaustion of Creative Powers
XV: Conclusion
Schema
1: The Aim of Greek Art. Art and the City
I: The Artist and the Public. Tradition
II: The Useful and the Beautiful 1
III: Art and Religion 1
IV: Art and the Political Constitution 1
V: Art and Historical Events
VI: Art and Social Rank 1
VII: Art and Manners 1
VIII: Art, its Civic Teaching. Social Rôle of the Artist
IX: Transformation in the Social Character of Greek Art
2: Agents for the Practical Application of Artistic Aims. Groups of Artists and Artistic Personalities
I: Ethnic Groups
II: Ionian Art 1
III: Dorian Art 1
IV: Reconciliation of the Two Tendencies
V: Attic Art
VI: Local Schools
VII: Artistic Individualities 1
3: Realization. Technical Problems
I: The Various Branches of Art and the Choice of Material
II: Pose
III: Anatomy 1
IV: Drapery
V: The Analytic and Synthetic View. Harmony, Rhythm, "Symmetria," Proportion, Composition 1
VI: Distance and Atmosphere as they Affect the Appearance of Things. Chiaroscuro, Modelling, Perspective 1
VII: The Ideal and its Evolution
VIII: Some Aspects of the Greek Ideal
IX: Evolution of the Ideal
X: From the Earliest Days to the End of the 6th Century. Elaboration of Technique and Ideal
XI: The 5th Century. Technical Mastery, Idealism
XII: The 4th Century. Beginnings of Realism 1
XIII: The Hellenistic Period. Apogee of Realism 1
XIV: The Decline. Exhaustion of Creative Powers
XV: Conclusion
Introduction
Schema
1: The Aim of Greek Art. Art and the City
I: The Artist and the Public. Tradition
II: The Useful and the Beautiful 1
III: Art and Religion 1
IV: Art and the Political Constitution 1
V: Art and Historical Events
VI: Art and Social Rank 1
VII: Art and Manners 1
VIII: Art, its Civic Teaching. Social Rôle of the Artist
IX: Transformation in the Social Character of Greek Art
2: Agents for the Practical Application of Artistic Aims. Groups of Artists and Artistic Personalities
I: Ethnic Groups
II: Ionian Art 1
III: Dorian Art 1
IV: Reconciliation of the Two Tendencies
V: Attic Art
VI: Local Schools
VII: Artistic Individualities 1
3: Realization. Technical Problems
I: The Various Branches of Art and the Choice of Material
II: Pose
III: Anatomy 1
IV: Drapery
V: The Analytic and Synthetic View. Harmony, Rhythm, "Symmetria," Proportion, Composition 1
VI: Distance and Atmosphere as they Affect the Appearance of Things. Chiaroscuro, Modelling, Perspective 1
VII: The Ideal and its Evolution
VIII: Some Aspects of the Greek Ideal
IX: Evolution of the Ideal
X: From the Earliest Days to the End of the 6th Century. Elaboration of Technique and Ideal
XI: The 5th Century. Technical Mastery, Idealism
XII: The 4th Century. Beginnings of Realism 1
XIII: The Hellenistic Period. Apogee of Realism 1
XIV: The Decline. Exhaustion of Creative Powers
XV: Conclusion
Schema
1: The Aim of Greek Art. Art and the City
I: The Artist and the Public. Tradition
II: The Useful and the Beautiful 1
III: Art and Religion 1
IV: Art and the Political Constitution 1
V: Art and Historical Events
VI: Art and Social Rank 1
VII: Art and Manners 1
VIII: Art, its Civic Teaching. Social Rôle of the Artist
IX: Transformation in the Social Character of Greek Art
2: Agents for the Practical Application of Artistic Aims. Groups of Artists and Artistic Personalities
I: Ethnic Groups
II: Ionian Art 1
III: Dorian Art 1
IV: Reconciliation of the Two Tendencies
V: Attic Art
VI: Local Schools
VII: Artistic Individualities 1
3: Realization. Technical Problems
I: The Various Branches of Art and the Choice of Material
II: Pose
III: Anatomy 1
IV: Drapery
V: The Analytic and Synthetic View. Harmony, Rhythm, "Symmetria," Proportion, Composition 1
VI: Distance and Atmosphere as they Affect the Appearance of Things. Chiaroscuro, Modelling, Perspective 1
VII: The Ideal and its Evolution
VIII: Some Aspects of the Greek Ideal
IX: Evolution of the Ideal
X: From the Earliest Days to the End of the 6th Century. Elaboration of Technique and Ideal
XI: The 5th Century. Technical Mastery, Idealism
XII: The 4th Century. Beginnings of Realism 1
XIII: The Hellenistic Period. Apogee of Realism 1
XIV: The Decline. Exhaustion of Creative Powers
XV: Conclusion