The history of art from the early nineteenth century on- ward is commonly viewed as a succession of conflicts between innovatory and established styles that culminated in the formalism and aesthetic autonomy of high modernism
The history of art from the early nineteenth century on- ward is commonly viewed as a succession of conflicts between innovatory and established styles that culminated in the formalism and aesthetic autonomy of high modernism
1: Symptoms I: New Master Problems II: The Search For A Lost Style III: The Isolation Of The Arts IV: The Attack on Architecture V: The Significance Of The Fragment VI: Chaos Unleashed Part Two : Diagnosis And Progress Of The Disease VII: 'Analogia Morbi' VIII: 'Autonomous' Man IX: At The Origins Of The Present X: Precursors of Modern Art XI: The Three Artistic Revolutions of the Eighteenth Century XII: From The Liberation Of Art To The Negation Of Art III: Towards a Prognosis and a Final Judgement XIII: An Evaluation of the Epoch XIV: Towards an Evaluation of Modern art XV: Modern art as the Fourth Phase of Western art XVI: Today as the Turning Point in the History of Man XVII: Prognosis Postscript
1: Symptoms I: New Master Problems II: The Search For A Lost Style III: The Isolation Of The Arts IV: The Attack on Architecture V: The Significance Of The Fragment VI: Chaos Unleashed Part Two : Diagnosis And Progress Of The Disease VII: 'Analogia Morbi' VIII: 'Autonomous' Man IX: At The Origins Of The Present X: Precursors of Modern Art XI: The Three Artistic Revolutions of the Eighteenth Century XII: From The Liberation Of Art To The Negation Of Art III: Towards a Prognosis and a Final Judgement XIII: An Evaluation of the Epoch XIV: Towards an Evaluation of Modern art XV: Modern art as the Fourth Phase of Western art XVI: Today as the Turning Point in the History of Man XVII: Prognosis Postscript
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