Art History and Its Institutions focuses on the institutional discourses that shaped and continue to shape the field from its foundations in the nineteenth century. From museums and universities to law courts, labour organizations and photography studios, contributors examine a range of institutions, considering their impact on movements such as modernism; their role in conveying or denying legitimacy; and their impact on defining the parameters of the discipline.
Art History and Its Institutions focuses on the institutional discourses that shaped and continue to shape the field from its foundations in the nineteenth century. From museums and universities to law courts, labour organizations and photography studios, contributors examine a range of institutions, considering their impact on movements such as modernism; their role in conveying or denying legitimacy; and their impact on defining the parameters of the discipline.
PART I: PUTTING ART HISTORY IN ITS PLACE 1. Art History and Modernism Elizabeth Mansfield 2. Hearing the Unsaid: Art History, Museology, and the Composition of the Self Donald Preziosi 3. From Boullee to Bilbao: The Museum as Utopian Space Andrew McClellan 4. Marburg, Harvard and Purpose-Built Architecture for Art History Kathryn Bush 5. Viollet-le-Duc and Taine at the Ecole des Beaux Arts: On the First Professorship of Art History in France Philip Hotchkiss Walsh 6. Colonizing Culture: The Origins of Art History in Australia Jacqueline Strecker PART II: INSTITUTING A CANON: PLACING THE CENTER AND MARGINS OF ART HISTORY 7. Deep Innovation and Mere Eccentricity: Six Case Studies of Innovation in Art History David Carrier 8. The Taste of Angels in the Art of Darkness: Fashioning the Canon of African Art Christopher B Steiner 9. Tradesmen as Scholars: Interdependencies in the Study and Exchange of Art Ivan Gaskell 10. How Canons Disappear: The Case of Henri Regnault Marc Gottlieb 11. Using Art History: The Louvre and its Public Persona, 1848-52 Gabriel Weisberg 12. Silent Movies: On Excluding the Ethnographic Subject from the Discourse of Art Claire Farago 13. Art History on the Academic Fringe: Taine's Philosophy of Art Mary Morton PART III: THE PRACTICE OF ART HISTORY: DISCOURSE AND METHOD AS INSTITUTION 14. For Connoisseurs: The Burlington Magazine, 1903-1911 Helen Rees Leahy 15. Photographic Perspectives: Photography and the Institutional Formation of Art History Frederick N. Bohrer 15. Instituting Genius: The Formation of Biographical Art History in France Greg M. Thomas 16. A Preponderance of Practical Problems: The History of Art in the United States Between 1886 and 1888 Eric Rosenberg 17. Emancipation and the Freed in American Sculpture: Race, Representation and the Beginnings of African-American Art History Steven Nelson
PART I: PUTTING ART HISTORY IN ITS PLACE 1. Art History and Modernism Elizabeth Mansfield 2. Hearing the Unsaid: Art History, Museology, and the Composition of the Self Donald Preziosi 3. From Boullee to Bilbao: The Museum as Utopian Space Andrew McClellan 4. Marburg, Harvard and Purpose-Built Architecture for Art History Kathryn Bush 5. Viollet-le-Duc and Taine at the Ecole des Beaux Arts: On the First Professorship of Art History in France Philip Hotchkiss Walsh 6. Colonizing Culture: The Origins of Art History in Australia Jacqueline Strecker PART II: INSTITUTING A CANON: PLACING THE CENTER AND MARGINS OF ART HISTORY 7. Deep Innovation and Mere Eccentricity: Six Case Studies of Innovation in Art History David Carrier 8. The Taste of Angels in the Art of Darkness: Fashioning the Canon of African Art Christopher B Steiner 9. Tradesmen as Scholars: Interdependencies in the Study and Exchange of Art Ivan Gaskell 10. How Canons Disappear: The Case of Henri Regnault Marc Gottlieb 11. Using Art History: The Louvre and its Public Persona, 1848-52 Gabriel Weisberg 12. Silent Movies: On Excluding the Ethnographic Subject from the Discourse of Art Claire Farago 13. Art History on the Academic Fringe: Taine's Philosophy of Art Mary Morton PART III: THE PRACTICE OF ART HISTORY: DISCOURSE AND METHOD AS INSTITUTION 14. For Connoisseurs: The Burlington Magazine, 1903-1911 Helen Rees Leahy 15. Photographic Perspectives: Photography and the Institutional Formation of Art History Frederick N. Bohrer 15. Instituting Genius: The Formation of Biographical Art History in France Greg M. Thomas 16. A Preponderance of Practical Problems: The History of Art in the United States Between 1886 and 1888 Eric Rosenberg 17. Emancipation and the Freed in American Sculpture: Race, Representation and the Beginnings of African-American Art History Steven Nelson
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
