This book is a scholarly and lively account of the interactions between art and ethnography in Paris in the pre-WW2 period, drawing upon a diverse range of primary and archival materials: non-western art, anthropological expeditions, museum displays and works by artists in Paris.
This book is a scholarly and lively account of the interactions between art and ethnography in Paris in the pre-WW2 period, drawing upon a diverse range of primary and archival materials: non-western art, anthropological expeditions, museum displays and works by artists in Paris.
Julia Kelly is Lecturer in Art History and Visual Studies at the University of Manchester.
Inhaltsangabe
Introduction 1. Encountering: ethnography, art and the reception of non-western objects 2. Classifying: the 'irritating' object and its disciplines 3. Collecting: fieldwork and its discontents 4. Mediating: ethnography through a lens and behind glass 5. Making: technologies of the surrealist object Bibliography Index
Introduction 1. Encountering: ethnography, art and the reception of non-western objects 2. Classifying: the 'irritating' object and its disciplines 3. Collecting: fieldwork and its discontents 4. Mediating: ethnography through a lens and behind glass 5. Making: technologies of the surrealist object Bibliography Index
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