J. P. Park builds on important recent research on social status, economic development, and print publishing in late imperial China to show how a world of social meaning is evident in the literary subgenre of painting manuals, and provides insight into the links between art history, print culture, and social history.
J. P. Park builds on important recent research on social status, economic development, and print publishing in late imperial China to show how a world of social meaning is evident in the literary subgenre of painting manuals, and provides insight into the links between art history, print culture, and social history.
J. P. Park is June and Simon Li Associate Professor of Art History, University of Oxford. He is the author of Art by the Book: Painting Manuals and the Leisure Life in Late Ming China (University of Washington Press, 2012) and A New Middle Kingdom: Painting and Cultural Politics in Late Chos¿n Korea (1700-1850) (University of Washington Press, 2018); and coeditor of A Companion to Korean Art History (Wiley-Blackwell, 2020).
Inhaltsangabe
Acknowledgments Chronology of Chinese Dynasties Introduction William Shakespeare, a Great Painter? 1. Genre and Biography 2. Words without Images 3. Portraits of the Characteristic 4. Icons of Love and Marginality 5. The Art of Being Artistic Coda: The Late Ming at the Crossroads Appendix 1 Locations and Editions of Late Ming Painting Manuals Appendix 2 Lost Manuals and Albums of the Ming Dynasty Notes Glossary Bibliography Index Plates follow page
Acknowledgments Chronology of Chinese Dynasties Introduction William Shakespeare, a Great Painter? 1. Genre and Biography 2. Words without Images 3. Portraits of the Characteristic 4. Icons of Love and Marginality 5. The Art of Being Artistic Coda: The Late Ming at the Crossroads Appendix 1 Locations and Editions of Late Ming Painting Manuals Appendix 2 Lost Manuals and Albums of the Ming Dynasty Notes Glossary Bibliography Index Plates follow page
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