This book explores the architectural significance of Deleuze's philosophy of subjectivization, and Guattari's overlooked dialogue on architecture and subjectivity. In doing so, it proposes that subjectivity is no longer the exclusive provenance of human beings, but extends to the architectural, the cinematic, the erotic, and the political. It defines a new position within the literature on Deleuze and architecture, while highlighting the neglected issue of subjectivity in contemporary discussion.
This book explores the architectural significance of Deleuze's philosophy of subjectivization, and Guattari's overlooked dialogue on architecture and subjectivity. In doing so, it proposes that subjectivity is no longer the exclusive provenance of human beings, but extends to the architectural, the cinematic, the erotic, and the political. It defines a new position within the literature on Deleuze and architecture, while highlighting the neglected issue of subjectivity in contemporary discussion.
Dr, Simone Brott is a Lecturer in Architecture at the Queensland University of Technology, Australia
Inhaltsangabe
Contents: Foreword Introduction: subjectivization Deleuze and 'the intercessors' Impersonal effects Impersonal effects 2 Guattari and the Japanese new wave Shinohara and Takamatsu: objets verité Architecture without qualities Bibliography Index.
Contents: Foreword Introduction: subjectivization Deleuze and 'the intercessors' Impersonal effects Impersonal effects 2 Guattari and the Japanese new wave Shinohara and Takamatsu: objets verité Architecture without qualities Bibliography Index.
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