Ryan Poll argues that the New 52 Aquaman develops the superhero into a figure of ecological justice who charts the environmental apocalypse caused by global capitalism and helps readers connect the violences occurring in the ocean to those occurring on the surface, including sexism and racism.
Ryan Poll argues that the New 52 Aquaman develops the superhero into a figure of ecological justice who charts the environmental apocalypse caused by global capitalism and helps readers connect the violences occurring in the ocean to those occurring on the surface, including sexism and racism.
Ryan Poll is an associate professor of English at Northeastern Illinois University. He is the author of Main Street and Empire: The Fictional Small Town in the Age of Globalization.
Inhaltsangabe
List of Illustrations Series Editors’ Introduction Acknowledgments Introduction: The New 52 Aquaman’s Allegorical Project to See beyond the Anthropocene 1. Deep in the Trenches: Monsters, Humanism, and Ecological Allegories 2. Waves of Feminism: Mera, Paradigm Shifts, and Allegories of Reading 3. The Apocalyptic Ocean: Orm, Frames of Justice, and Allegories of Radical Politics 4. Allegories of White Supremacy: Black Manta and the Black Atlantic Afterword: The Ocean’s Black, Queer, Brown, and Indigenous Futures Notes Bibliography Index
List of Illustrations Series Editors’ Introduction Acknowledgments Introduction: The New 52 Aquaman’s Allegorical Project to See beyond the Anthropocene 1. Deep in the Trenches: Monsters, Humanism, and Ecological Allegories 2. Waves of Feminism: Mera, Paradigm Shifts, and Allegories of Reading 3. The Apocalyptic Ocean: Orm, Frames of Justice, and Allegories of Radical Politics 4. Allegories of White Supremacy: Black Manta and the Black Atlantic Afterword: The Ocean’s Black, Queer, Brown, and Indigenous Futures Notes Bibliography Index
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