This book aims to provide scholars active in television aesthetics with a critical overview of the relevant philosophical literature, while also giving philosophers of film a particular account of the art of television that will hopefully spur further interest and debate.
This book aims to provide scholars active in television aesthetics with a critical overview of the relevant philosophical literature, while also giving philosophers of film a particular account of the art of television that will hopefully spur further interest and debate.
Ted Nannicelli is Lecturer in Film and Television Studies at the University of Queensland, Australia. He is the author of A Philosophy of the Screenplay (Routledge, 2013). He is co-editor, with Paul Taberham, of Cognitive Media Theory (Routledge, 2014), and associate editor of Projections: The Journal for Movies and Mind.
Inhaltsangabe
Introduction 1. Authorship and Agency 2. The Medium 3. Ontology 4. Interpretation I 5. Interpretation II 6. Evaluation
