Claire Gleitman

Anxious Masculinity in the Drama of Arthur Miller and Beyond

Salesmen, Sluggers, and Big Daddies

• Broschiertes Buch

Produktbeschreibung

Staunchly homosocial, vaguely or overtly misogynistic, anxiously homophobic-this study follows the male breadwinner as he is incarnated in Arthur Miller's most celebrated plays and as he resurfaces in different guises throughout American drama, from the 1950s to the present. Anxious Masculinity offers a compelling analysis of gender dynamics and the legacy of this figure as he stalks through the works of other American dramatists, and argues that the gendered anxieties exhibited by their characters are the very ones invoked with such success by Donald Trump. Claire Gleitman examines this figure in the plays of Miller and Tennessee Williams, as well as later 20th-century writers Lorraine Hansberry, August Wilson, and Sam Shepard, who reposition him in more racially and economically marginalized settings. He reappears in the more recent work of playwrights Tony Kushner, Paula Vogel, and collaborators Lisa Kron and Jeanine Tesori, who shift their focus to the next generation, which seeks to escape his clutches and forge new, often gleefully queer identities. The final chapter concerns contemporary Black dramatists Suzan Lori-Parks, Jackie Sibblies Drury, and Jeremy O. Harris, whose plays move us from anxious masculinity to anxious whiteness and speak directly to the current moment.

Produktdetails

• Verlag: Bloomsbury Publishing PLC
• Seitenzahl: 240
• Erscheinungstermin: 13. Juli 2023
• Englisch
• Abmessung: 215mm x 138mm x 13mm
• Gewicht: 314g
• ISBN-13: 9781350272972
• ISBN-10: 1350272973
• Artikelnr.: 68395336

Autorenporträt

Claire Gleitman is Professor of Dramatic Literature and Dean of the School of Humanities and Sciences at Ithaca College, USA. She is the author of Anxious Masculinity in the Drama of Arthur Miller and Beyond: Salesmen, Sluggers, and Big Daddies (Bloomsbury, 2022). She has also published articles on Arthur Miller, Bertolt Brecht, Tennessee Williams, Brian Friel and Tony Kushner, among others, which have appeared in such journals as Comparative Drama, Eire/Ireland, Modern Drama and the Arthur Miller Journal . At Ithaca College, she is also the director and co-founder of the On the Verge play-reading series and former coordinator of Women's, Gender and Sexuality Studies.

Inhaltsangabe

Acknowledgements Introduction: The Prison-House of Gender 1. Strudel and
the Single Man: All My Sons and Death of a Salesman 2. Witchcraft and the
Weird: The Crucible and A View from the Bridge 3. Performing White Male
Heteronormativity: A Streetcar Named Desire and Cat on a Hot Tin Roof 4.
Playing Ball on the Margins: Raisin in the Sun, Fences, Curse of the
Starving Class 5. Queering a New Generation: Angels in America, How I
Learned to Drive, Fun Home 6. Cakewalks and the White Gaze:
Topdog/Underdog, Fairview, Slave Play Notes References Index