Andere Kunden interessierten sich auch für
![Antigone ne meurt jamais : Contrecarrer les dialectiques dans les mythes dramatisés]( "Antigone ne meurt jamais : Contrecarrer les dialectiques dans les mythes dramatisés")
Antigone ne meurt jamais : Contrecarrer les dialectiques dans les mythes dramatisés44,99 €![Antigone stirbt nie: Gegen die Dialektik in dramatisierten Mythen]( "Antigone stirbt nie: Gegen die Dialektik in dramatisierten Mythen")
Antigone stirbt nie: Gegen die Dialektik in dramatisierten Mythen68,90 €![Antígona Nunca Morre: Contrariar a dialética nos mitos dramatizados]( "Antígona Nunca Morre: Contrariar a dialética nos mitos dramatizados")
Antígona Nunca Morre: Contrariar a dialética nos mitos dramatizados44,99 €![Antigone non muore mai: Contrastare la dialettica nei miti drammatizzati]( "Antigone non muore mai: Contrastare la dialettica nei miti drammatizzati")
Antigone non muore mai: Contrastare la dialettica nei miti drammatizzati44,99 €![Role of Myths and Traditional beliefs in African Literature]( "Role of Myths and Traditional beliefs in African Literature")
Role of Myths and Traditional beliefs in African Literature16,99 €![The Dialectics of Cruelty and Solidarity]( "The Dialectics of Cruelty and Solidarity")
The Dialectics of Cruelty and Solidarity26,99 €![Postcolonial Transition and Cultural Dialectics]( "Postcolonial Transition and Cultural Dialectics")
Postcolonial Transition and Cultural Dialectics51,99 €
Myths are those stories that have kept alluring human mind and heart for centuries. Modern writers have also suffered from this infection. What could be the reason for such affinity? After a survey, it can be observed that seeming simply stories conceal not only philosophical or literary values but conflictual engagement with culture. They preserve in them an unimaginable variety of clashes among cultural elements. Dialectical elements in myths help to gather the discursive formation of culture, where dominant ideologies, prevalent positions, and accepted/established norms are displaced and subverted. Myths are therefore a fertile ground to record and develop cultural transitions and dynamism. The present volume has taken the analysis from this point of view, in relation to Eugene O'Neill's Desire Under the Elms (1924), Bertolt Brecht's Antigone (1942), Dharmavir Bharati's Andhayug (1953), Steven Berkoff's Greek (1980) and Uma Parameswaran's Sita's Promise (1981). The ultimate exploration goes into fathoming the process of how the dramatized myths turn into a complex discursive structure, unfolding clashing cultural elements and finally resulting in a complex dialectics.