Animation: Art and Industry is an introductory reader covering a broad range of animation studies topics, focusing on both American and international contexts. It provides information about key individuals in the fields of both independent and expe
Animation: Art and Industry is an introductory reader covering a broad range of animation studies topics, focusing on both American and international contexts. It provides information about key individuals in the fields of both independent and expe
Maureen Furniss is founding editor of Animation Journal. She is a professor in the School of Film and Video at the California Institute of the Arts.
Inhaltsangabe
Introduction: Maureen Furniss Part I. Global Perspectives Cecile StarrFine Art Animation William MoritzSome Critical Perspectives on Lotte Reiniger Esther Leslie It's Mickey Mouse Terence DobsonNorman McLaren: His UNESCO Work in Asia Patrick DrazenConventions versus Clichés Helen McCarthyMy Neighbor Totoro Marian QuigleyGlocalisation vs. Globalization: The Work of Nick Park and Peter Lord Terry Lindvall and Matthew MeltonToward a Postmodern Animated Discourse: Bakhtin, Intertexuality and the Cartoon Carnival Edwin Carels1895: Animation, History and the Metafilm Jørgen StenslandInnocent Play or the Copycat Effect? Computer Game Research and Classification Part II. Animation in America John CanemakerWinsor McCay J.B. KaufmanThe Live Wire: Margaret J. Winkler and Animation History Bill MikulakDisney and the Art World: The Early Years John LewellThe Art of Chuck Jones Charles SolomonThe Disney Studio at War Jules EngelUntitled essay in "The United Productions of America: Reminiscing Thirty Years Later" Edited by William Moritz. ASIFA Canada Karl CohenBlacklisted Animators Michael FriersonClay Animation and the Early Days of Television: The 'Gumby' series Bill Hanna and Tom ItoCommercial Breaks George GriffinCartoon, Anti-Cartoon James Lindner; John Lasseter; Tina Price; and Carl RosendahlComputers, New Technology and Animation Sean GriffinThe Illusion of 'Identity': Gender and Racial Representation in Aladdin Linda SimenskySelling Bugs Bunny: Warner Bros. and Character Merchandising in the Nineties
Introduction: Maureen Furniss Part I. Global Perspectives Cecile StarrFine Art Animation William MoritzSome Critical Perspectives on Lotte Reiniger Esther Leslie It's Mickey Mouse Terence DobsonNorman McLaren: His UNESCO Work in Asia Patrick DrazenConventions versus Clichés Helen McCarthyMy Neighbor Totoro Marian QuigleyGlocalisation vs. Globalization: The Work of Nick Park and Peter Lord Terry Lindvall and Matthew MeltonToward a Postmodern Animated Discourse: Bakhtin, Intertexuality and the Cartoon Carnival Edwin Carels1895: Animation, History and the Metafilm Jørgen StenslandInnocent Play or the Copycat Effect? Computer Game Research and Classification Part II. Animation in America John CanemakerWinsor McCay J.B. KaufmanThe Live Wire: Margaret J. Winkler and Animation History Bill MikulakDisney and the Art World: The Early Years John LewellThe Art of Chuck Jones Charles SolomonThe Disney Studio at War Jules EngelUntitled essay in "The United Productions of America: Reminiscing Thirty Years Later" Edited by William Moritz. ASIFA Canada Karl CohenBlacklisted Animators Michael FriersonClay Animation and the Early Days of Television: The 'Gumby' series Bill Hanna and Tom ItoCommercial Breaks George GriffinCartoon, Anti-Cartoon James Lindner; John Lasseter; Tina Price; and Carl RosendahlComputers, New Technology and Animation Sean GriffinThe Illusion of 'Identity': Gender and Racial Representation in Aladdin Linda SimenskySelling Bugs Bunny: Warner Bros. and Character Merchandising in the Nineties
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