Animating Film Theory
Herausgeber: Redrobe, Karen
Animating Film Theory
Herausgeber: Redrobe, Karen
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Provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. This title offers a collection of reanimates and expands film studies by taking the concept of animation seriously.
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Provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. This title offers a collection of reanimates and expands film studies by taking the concept of animation seriously.
Produktdetails
- Produktdetails
- Verlag: Duke University Press
- Seitenzahl: 370
- Erscheinungstermin: 21. März 2014
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 514g
- ISBN-13: 9780822356523
- ISBN-10: 082235652X
- Artikelnr.: 38533072
- Verlag: Duke University Press
- Seitenzahl: 370
- Erscheinungstermin: 21. März 2014
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 514g
- ISBN-13: 9780822356523
- ISBN-10: 082235652X
- Artikelnr.: 38533072
Karen Beckman, ed.
Acknowledgments ix
Animating Film Theory: An Introduction / Karen Beckman 1
Part I: Time and Space
1. Animation and History / Esther Leslie 25
2. Animating the Instant: The Secret Symmetry between Animation and
Photography / Tom Gunning 37
3. Polygraphic Photography and the Origins of 3-D Animation / Alexander G.
Galloway 54
4. "A Living, Developing Egg Is Present before You": Animation, Scientific
Visualization, Modeling / Oliver Gaycken 68
Part II. Cinema and Animation
5. André Martin, Inventor of Animation Cinema: Prolegomena for a History of
Terms / Hervé Joubert-Laurencin; Translated by Lucy Swanson 85
6. "First Principles" of Animation / Alan Cholodenko 98
7. Animation, in Theory / Susanne Buchan 111
Part III: The Experiment
8. Film as Experiment in Animation: Are Films Experiments on Human Beings?
/ Gertrud Koch; Translated by Daniel Hendrickson 131
9. Frame Shot: Vertov's Ideologies of Animation / Mihaela Mihailova and
John MacKay 145
10. Signatures of Motion: Len Lye's Scratch Films and the Energy of the
Line / Andrew R. Johnston 167
11. Animating Copies: Japanese Graphic Design, the Xerox Machine, and
Walter Benjamin / Yuriko Furuhata 181
12. Framing the Postmodern: The Rhetoric of Animated Form in Experimental
Identity-Politics Documentary Video in the 1980s and 1990s / Tess Takahashi
201
Part IV: Animation and the World
13. Cartoon Film Theory: Imamura Taihei on Animation, Documentary, and
Photography / Thomas LaMarre 221
14. African American Representation through the Combination of Live Action
and Animation / Christopher P. Lehman 252
15. Animating Uncommon Life: U.S. Military Malaria Films (1942-1945) and
the Pacific Theater / Bishnupriya Ghosh 264
16. Realism in the Animation Media Environment: Animation Theory from Japan
/ Marc Steinberg 287
17. Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in
the Machine / Scott Bukatman 301
Bibliography 317
Contributors 337
Index 343
Animating Film Theory: An Introduction / Karen Beckman 1
Part I: Time and Space
1. Animation and History / Esther Leslie 25
2. Animating the Instant: The Secret Symmetry between Animation and
Photography / Tom Gunning 37
3. Polygraphic Photography and the Origins of 3-D Animation / Alexander G.
Galloway 54
4. "A Living, Developing Egg Is Present before You": Animation, Scientific
Visualization, Modeling / Oliver Gaycken 68
Part II. Cinema and Animation
5. André Martin, Inventor of Animation Cinema: Prolegomena for a History of
Terms / Hervé Joubert-Laurencin; Translated by Lucy Swanson 85
6. "First Principles" of Animation / Alan Cholodenko 98
7. Animation, in Theory / Susanne Buchan 111
Part III: The Experiment
8. Film as Experiment in Animation: Are Films Experiments on Human Beings?
/ Gertrud Koch; Translated by Daniel Hendrickson 131
9. Frame Shot: Vertov's Ideologies of Animation / Mihaela Mihailova and
John MacKay 145
10. Signatures of Motion: Len Lye's Scratch Films and the Energy of the
Line / Andrew R. Johnston 167
11. Animating Copies: Japanese Graphic Design, the Xerox Machine, and
Walter Benjamin / Yuriko Furuhata 181
12. Framing the Postmodern: The Rhetoric of Animated Form in Experimental
Identity-Politics Documentary Video in the 1980s and 1990s / Tess Takahashi
201
Part IV: Animation and the World
13. Cartoon Film Theory: Imamura Taihei on Animation, Documentary, and
Photography / Thomas LaMarre 221
14. African American Representation through the Combination of Live Action
and Animation / Christopher P. Lehman 252
15. Animating Uncommon Life: U.S. Military Malaria Films (1942-1945) and
the Pacific Theater / Bishnupriya Ghosh 264
16. Realism in the Animation Media Environment: Animation Theory from Japan
/ Marc Steinberg 287
17. Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in
the Machine / Scott Bukatman 301
Bibliography 317
Contributors 337
Index 343
Acknowledgments ix
Animating Film Theory: An Introduction / Karen Beckman 1
Part I: Time and Space
1. Animation and History / Esther Leslie 25
2. Animating the Instant: The Secret Symmetry between Animation and
Photography / Tom Gunning 37
3. Polygraphic Photography and the Origins of 3-D Animation / Alexander G.
Galloway 54
4. "A Living, Developing Egg Is Present before You": Animation, Scientific
Visualization, Modeling / Oliver Gaycken 68
Part II. Cinema and Animation
5. André Martin, Inventor of Animation Cinema: Prolegomena for a History of
Terms / Hervé Joubert-Laurencin; Translated by Lucy Swanson 85
6. "First Principles" of Animation / Alan Cholodenko 98
7. Animation, in Theory / Susanne Buchan 111
Part III: The Experiment
8. Film as Experiment in Animation: Are Films Experiments on Human Beings?
/ Gertrud Koch; Translated by Daniel Hendrickson 131
9. Frame Shot: Vertov's Ideologies of Animation / Mihaela Mihailova and
John MacKay 145
10. Signatures of Motion: Len Lye's Scratch Films and the Energy of the
Line / Andrew R. Johnston 167
11. Animating Copies: Japanese Graphic Design, the Xerox Machine, and
Walter Benjamin / Yuriko Furuhata 181
12. Framing the Postmodern: The Rhetoric of Animated Form in Experimental
Identity-Politics Documentary Video in the 1980s and 1990s / Tess Takahashi
201
Part IV: Animation and the World
13. Cartoon Film Theory: Imamura Taihei on Animation, Documentary, and
Photography / Thomas LaMarre 221
14. African American Representation through the Combination of Live Action
and Animation / Christopher P. Lehman 252
15. Animating Uncommon Life: U.S. Military Malaria Films (1942-1945) and
the Pacific Theater / Bishnupriya Ghosh 264
16. Realism in the Animation Media Environment: Animation Theory from Japan
/ Marc Steinberg 287
17. Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in
the Machine / Scott Bukatman 301
Bibliography 317
Contributors 337
Index 343
Animating Film Theory: An Introduction / Karen Beckman 1
Part I: Time and Space
1. Animation and History / Esther Leslie 25
2. Animating the Instant: The Secret Symmetry between Animation and
Photography / Tom Gunning 37
3. Polygraphic Photography and the Origins of 3-D Animation / Alexander G.
Galloway 54
4. "A Living, Developing Egg Is Present before You": Animation, Scientific
Visualization, Modeling / Oliver Gaycken 68
Part II. Cinema and Animation
5. André Martin, Inventor of Animation Cinema: Prolegomena for a History of
Terms / Hervé Joubert-Laurencin; Translated by Lucy Swanson 85
6. "First Principles" of Animation / Alan Cholodenko 98
7. Animation, in Theory / Susanne Buchan 111
Part III: The Experiment
8. Film as Experiment in Animation: Are Films Experiments on Human Beings?
/ Gertrud Koch; Translated by Daniel Hendrickson 131
9. Frame Shot: Vertov's Ideologies of Animation / Mihaela Mihailova and
John MacKay 145
10. Signatures of Motion: Len Lye's Scratch Films and the Energy of the
Line / Andrew R. Johnston 167
11. Animating Copies: Japanese Graphic Design, the Xerox Machine, and
Walter Benjamin / Yuriko Furuhata 181
12. Framing the Postmodern: The Rhetoric of Animated Form in Experimental
Identity-Politics Documentary Video in the 1980s and 1990s / Tess Takahashi
201
Part IV: Animation and the World
13. Cartoon Film Theory: Imamura Taihei on Animation, Documentary, and
Photography / Thomas LaMarre 221
14. African American Representation through the Combination of Live Action
and Animation / Christopher P. Lehman 252
15. Animating Uncommon Life: U.S. Military Malaria Films (1942-1945) and
the Pacific Theater / Bishnupriya Ghosh 264
16. Realism in the Animation Media Environment: Animation Theory from Japan
/ Marc Steinberg 287
17. Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in
the Machine / Scott Bukatman 301
Bibliography 317
Contributors 337
Index 343