Offers a critical appraisal of the work of screenwriter Andrew Davies ('Pride and Prejudice', 'The Way We Live Now'), and assesses his contribution to British television.
Offers a critical appraisal of the work of screenwriter Andrew Davies ('Pride and Prejudice', 'The Way We Live Now'), and assesses his contribution to British television.
Sarah Cardwell is Honorary Fellow in the School of Arts at the University of Kent
Inhaltsangabe
General Editors' Preface Acknowledgements Introduction 1. Andrew Davies: biographical sketch 2. Questions of authorship 3. Making his mark: Davies's non-adapted ('original') television work 4. Authorship and adaptation: Davies's adaptations from 'non-classic' literature 5. The classic-novel adaptations: Voice(s) and genre 6. Distinguishing the televisual 7. Conclusion: Davies, television, criticism and authorship List of programmes, films and other texts Bibliography Appendix 1: 'The Signalman' by Charles Dickens Appendix 2: Extract from 'The Way We Live Now' by Anthony Trollope Index
General Editors' Preface Acknowledgements Introduction 1. Andrew Davies: biographical sketch 2. Questions of authorship 3. Making his mark: Davies's non-adapted ('original') television work 4. Authorship and adaptation: Davies's adaptations from 'non-classic' literature 5. The classic-novel adaptations: Voice(s) and genre 6. Distinguishing the televisual 7. Conclusion: Davies, television, criticism and authorship List of programmes, films and other texts Bibliography Appendix 1: 'The Signalman' by Charles Dickens Appendix 2: Extract from 'The Way We Live Now' by Anthony Trollope Index
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