The last quarter of the twentieth century and the early years of the twenty-first saw a steady stream of new songbook publications and recordings in Yiddish - newly composed songs, well-known singers performing nostalgic favourites, American popular songs translated into Yiddish, theatre songs, and even a couple of forays into Yiddish hip hop; musicians meanwhile engaged with discourses of musical revival, post-Holocaust cultural politics, the transformation of language use, radical alterity and a new generation of American Jewish identities. This book explores how Yiddish song became such a…mehr
The last quarter of the twentieth century and the early years of the twenty-first saw a steady stream of new songbook publications and recordings in Yiddish - newly composed songs, well-known singers performing nostalgic favourites, American popular songs translated into Yiddish, theatre songs, and even a couple of forays into Yiddish hip hop; musicians meanwhile engaged with discourses of musical revival, post-Holocaust cultural politics, the transformation of language use, radical alterity and a new generation of American Jewish identities. This book explores how Yiddish song became such a potent medium for musical and ideological creativity at the twilight of the twentieth century.
A graduate of Cambridge University, Abigail Wood teaches ethnomusicology in the Music Department at Haifa University and also holds the Joe Loss Lecturership in Jewish Music at the School of Oriental and African Studies, University of London.
Inhaltsangabe
Contents: Introduction Part I Contemporary Frameworks for Yiddish Song: Becoming Yiddishists Narrating a canon. Part II Yiddish Song and the 'Klezmer Revival':From local to global: a new stage for Yiddish song A space for reflection: creative encounters with Europe Encountering the Yiddish other: Hasidic music in today's Yiddish canon Technology, the sonic object and the (re)construction of Yiddish music Conclusion Bibliography Index.
Contents: Introduction Part I Contemporary Frameworks for Yiddish Song: Becoming Yiddishists Narrating a canon. Part II Yiddish Song and the 'Klezmer Revival':From local to global: a new stage for Yiddish song A space for reflection: creative encounters with Europe Encountering the Yiddish other: Hasidic music in today's Yiddish canon Technology, the sonic object and the (re)construction of Yiddish music Conclusion Bibliography Index.
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