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Formidable and sophisticated, triremes were the deadliest battleship of the ancient world, and at the height of their success, the Athenians were the dominant exponents of their devastating power. Primarily longships designed to fight under oar power, the trireme was built for lightness and strength; ship-timber was mostly softwoods such as poplar, pine and fir, while the oars and mast were made out of fir. Their main weapon was a bronze-plated ram situated at the prow. From the combined Greek naval victory at Salamis (480 BC), through the Peloponnesian War, and up until the terrible defeat by…mehr

Produktbeschreibung
Formidable and sophisticated, triremes were the deadliest battleship of the ancient world, and at the height of their success, the Athenians were the dominant exponents of their devastating power. Primarily longships designed to fight under oar power, the trireme was built for lightness and strength; ship-timber was mostly softwoods such as poplar, pine and fir, while the oars and mast were made out of fir. Their main weapon was a bronze-plated ram situated at the prow. From the combined Greek naval victory at Salamis (480 BC), through the Peloponnesian War, and up until the terrible defeat by the Macedonians at Amorgos, the Athenian trireme was an object of dread to its enemies. This book offers a complete analysis and insight into the most potent battleship of its time; the weapon by which Athens achieved, maintained, and ultimately lost its power and prosperity.
Autorenporträt
Dr Nic Fields started his career as a biochemist before joining the Royal Marines. Having left the military, he went back to University and completed a BA and PhD in Ancient History at the University of Newcastle. He was Assistant Director at the British School at Athens, Greece, and then a lecturer in Ancient History at the University of Edinburgh. Nic is now a freelance author and researcher based in south-west France. Peter Bull graduated from art college in 1979 and has worked as a freelance illustrator for over 25 years. He has created both traditional and digital art for publishers worldwide, and also runs the Peter Bull Art Studio, based in East Sussex, UK, which he founded in 1975. Peter Chesterton has worked closely with Peter Bull on the subject matter of this book