A lively introduction to a subject which has attracted increasing interest in the last few years.. A wide-ranging and carefully constructed account. Likely to be adopted on many courses (both foundational level and advanced) which include the study of documentary as part of a wider Media Studies agenda.. Written in a highly accessible manner, it has the edge on rival publications on the subject, which have often proved to difficult for an undergraduate readership.
A lively introduction to a subject which has attracted increasing interest in the last few years.. A wide-ranging and carefully constructed account. Likely to be adopted on many courses (both foundational level and advanced) which include the study of documentary as part of a wider Media Studies agenda.. Written in a highly accessible manner, it has the edge on rival publications on the subject, which have often proved to difficult for an undergraduate readership.
Richard Kilborn is Senior Lecturer in the Department of Film and Media Studies at the University of Stirling
Inhaltsangabe
Acknowledgements A note on the availability of recordings Introduction Part I: Documentary Debates 1. Mapping out the terrain: What is documentary? 2. How real can you get?: Realism and documentary Part II: The Documentary Text 3. Shaping the real: Modes of documentary 4. Tackling the text: Documentary analyses Part III: Fact, Fiction and Drama 5. Telling a story: Fact, fiction and documentary 6. Making a drama out of a crisis: The drama-documentary and related forms Part IV: Documentary Production and Reception 7. Just do it our way!: Institutional control and production economics 8. How do they do it?: Aspects of documentary production 9. Is there anyone out there?: Audiences for documentary Notes Bibliography Index
Acknowledgements A note on the availability of recordings Introduction Part I: Documentary Debates 1. Mapping out the terrain: What is documentary? 2. How real can you get?: Realism and documentary Part II: The Documentary Text 3. Shaping the real: Modes of documentary 4. Tackling the text: Documentary analyses Part III: Fact, Fiction and Drama 5. Telling a story: Fact, fiction and documentary 6. Making a drama out of a crisis: The drama-documentary and related forms Part IV: Documentary Production and Reception 7. Just do it our way!: Institutional control and production economics 8. How do they do it?: Aspects of documentary production 9. Is there anyone out there?: Audiences for documentary Notes Bibliography Index
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