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  • Broschiertes Buch

This book studies the use of aleatory techniques in Witold Lutos awski s music and the issues that arise when using aleatoricism, a branch of textural composition that has room for exploration. I focused my study on three of Lutos awski s major works, analysing his approach to aleatoricism, form, and macro- and micro-rhythm. I wrote three works for the portfolio component. My approach to aleatoricism differed in each work. Through studying Lutos awski and my own composition, I came across practical issues in creating the score, issues with performance, and compositional problems. However, once…mehr

Produktbeschreibung
This book studies the use of aleatory techniques in Witold Lutos awski s music and the issues that arise when using aleatoricism, a branch of textural composition that has room for exploration. I focused my study on three of Lutos awski s major works, analysing his approach to aleatoricism, form, and macro- and micro-rhythm. I wrote three works for the portfolio component. My approach to aleatoricism differed in each work. Through studying Lutos awski and my own composition, I came across practical issues in creating the score, issues with performance, and compositional problems. However, once these issues were worked though, aleatoricism is a exciting compositional device that is not yet tired.
Autorenporträt
Pieta Hextall graduated from the New Zealand School of Music with a Master of Music majoring in Composition in 2012. Since then she has moved to Melbourne. In addition to composing, Pieta spends her time arranging, teaching, and playing bassoon and keyboard.