Uvedale Price
An Essay on the Picturesque, as Compared with the Sublime and the Beautiful
And, on the Use of Studying Pictures, for the Purpose of Improving Real
Uvedale Price
An Essay on the Picturesque, as Compared with the Sublime and the Beautiful
And, on the Use of Studying Pictures, for the Purpose of Improving Real
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Uvedale Price's 1794 essay on the importance of the 'picturesque' in landscape gardening and the crucial role of art.
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Uvedale Price's 1794 essay on the importance of the 'picturesque' in landscape gardening and the crucial role of art.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 396
- Erscheinungstermin: 15. November 2013
- Englisch
- Abmessung: 216mm x 140mm x 23mm
- Gewicht: 557g
- ISBN-13: 9781108067249
- ISBN-10: 1108067247
- Artikelnr.: 40190819
- Verlag: Cambridge University Press
- Seitenzahl: 396
- Erscheinungstermin: 15. November 2013
- Englisch
- Abmessung: 216mm x 140mm x 23mm
- Gewicht: 557g
- ISBN-13: 9781108067249
- ISBN-10: 1108067247
- Artikelnr.: 40190819
Preface
Part I: 1. The reasons why an improver should study pictures as well as nature
2. Causes of the neglect of the picturesque in modern improvements
3. General meaning of the word picturesque
4. General distinctions between the picturesque and the beautiful
5. To create the sublime above our contracted powers
6. It has been doubted by some whether smoothness is essential to beauty
7. Breadth of light and shadow
8. On the beautiful, and on what might be termed the picturesque, in colour
9. On ugliness
Part II: 1. How far the principles of painting have been applied to improvements
2. Trees considered generally
3. On the general effects of water in landscape
Part III: 'The landscape', a didactic poem.
Part I: 1. The reasons why an improver should study pictures as well as nature
2. Causes of the neglect of the picturesque in modern improvements
3. General meaning of the word picturesque
4. General distinctions between the picturesque and the beautiful
5. To create the sublime above our contracted powers
6. It has been doubted by some whether smoothness is essential to beauty
7. Breadth of light and shadow
8. On the beautiful, and on what might be termed the picturesque, in colour
9. On ugliness
Part II: 1. How far the principles of painting have been applied to improvements
2. Trees considered generally
3. On the general effects of water in landscape
Part III: 'The landscape', a didactic poem.
Preface
Part I: 1. The reasons why an improver should study pictures as well as nature
2. Causes of the neglect of the picturesque in modern improvements
3. General meaning of the word picturesque
4. General distinctions between the picturesque and the beautiful
5. To create the sublime above our contracted powers
6. It has been doubted by some whether smoothness is essential to beauty
7. Breadth of light and shadow
8. On the beautiful, and on what might be termed the picturesque, in colour
9. On ugliness
Part II: 1. How far the principles of painting have been applied to improvements
2. Trees considered generally
3. On the general effects of water in landscape
Part III: 'The landscape', a didactic poem.
Part I: 1. The reasons why an improver should study pictures as well as nature
2. Causes of the neglect of the picturesque in modern improvements
3. General meaning of the word picturesque
4. General distinctions between the picturesque and the beautiful
5. To create the sublime above our contracted powers
6. It has been doubted by some whether smoothness is essential to beauty
7. Breadth of light and shadow
8. On the beautiful, and on what might be termed the picturesque, in colour
9. On ugliness
Part II: 1. How far the principles of painting have been applied to improvements
2. Trees considered generally
3. On the general effects of water in landscape
Part III: 'The landscape', a didactic poem.