A master of gritty horror, Tobe Hooper captured on-screen an America in constant crisis and upended myths of prosperity to reveal the country's internal decay.
A master of gritty horror, Tobe Hooper captured on-screen an America in constant crisis and upended myths of prosperity to reveal the country's internal decay.
Kristopher Woofter is a faculty member in the English department at Dawson College, Montreal. He is the editor of Shirley Jackson: A Companion and coeditor of Recovering 1940s Horror Cinema: Traces of a Lost Decade. Will Dodson is the Ashby and Strong Residential College Coordinator and an adjunct assistant professor of media studies at UNC Greensboro.
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1. Acknowledgments 2. Introduction. “No Pleasure in Killing”: The Cinema of Tobe Hooper (Kristopher Woofter and Will Dodson) 3. Part I. Hooper’s Gothic * Chapter 1. “It’s Better to Be Suggestive:” Gothic Intertextuality and Hybridity in the 1980s Films of Tobe Hooper (Brigid Cherry) * Chapter 2. Poltergeist: TV People and Suburban Rage Monsters (Joan Hawkins) * Chapter 3. Tobe Hooper’s Teenage Wasteland: Youth and Disillusionment in The Funhouse, Invaders from Mars, and Mortuary (Kristopher Woofter) * Chapter 4. Salem’s Lot: Tobe Hooper’s Gothic Peyton Place (Tony Williams) * Chapter 5. Feeding the Industrial Monster: A Critical Reconsideration of Tobe Hooper’s The Mangler (Carl H. Sederholm) * Chapter 6. Unsettled Architecture and Avant-Garde Strategies in Tobe Hooper’s Down Friday Street, Toolbox Murders, and Djinn (Anne Golden and Kristopher Woofter) 4. Part II. Embodiment * Chapter 7. Nightmare Images: Tobe Hooper on Horror and Aging (Adam Lowenstein) * Chapter 8. Experimental Sorcery in Tobe Hooper’s Eggshells (Mario DeGiglio-Bellemare) * Chapter 9. Lizard Brain Ouroboros: Human Antiexceptionalism in Tobe Hooper’s Eaten Alive and Crocodile (Mike Thorn) * Chapter 10. “Sex or the Saw, Boy, What’s It Gonna Be?”: Tobe Hooper’s Anxious Men (Will Dodson) * Chapter 11. Bad Touches: Spontaneous Combustion in the Aftermath of the Nuclear Family (Alanna Thain) 5. Part III. Production and Industry * Chapter 12. Can(n)onical Hooper: A Reconsideration of Tobe Hooper’s Golan-Globus Films (Ian Olney) * Chapter 13. Hooper’s Hollywood: Investigating Occult Spaces in Toolbox Murders (2004) (Nina K. Martin) * Chapter 14. Songs in the Key of Death: Tobe Hooper’s “Dancing with Myself” and “Dance of the Dead” (Jerry D. Metz) * Chapter 15. The Past Infects the Present: Abjection and Identity in Tobe Hooper's 1990s TV and Video Productions (John Taylor) * Chapter 16. “Get Back to Work!”: Critiquing the Hollywood-Industrial Complex in The Mangler (Clayton Dillard) 6. Part IV. The American Twilight * Chapter 17. The Texas Chain Saw Massacre Begins (J. Shea and Ned Schantz) * Chapter 18. Tobe Hooper and the American Twilight (Christopher Sharrett) 7. Appendix: Cross-Referenced Tobe Hooper Filmography 8. References 9. List of Contributors 10. Index
1. Acknowledgments 2. Introduction. “No Pleasure in Killing”: The Cinema of Tobe Hooper (Kristopher Woofter and Will Dodson) 3. Part I. Hooper’s Gothic * Chapter 1. “It’s Better to Be Suggestive:” Gothic Intertextuality and Hybridity in the 1980s Films of Tobe Hooper (Brigid Cherry) * Chapter 2. Poltergeist: TV People and Suburban Rage Monsters (Joan Hawkins) * Chapter 3. Tobe Hooper’s Teenage Wasteland: Youth and Disillusionment in The Funhouse, Invaders from Mars, and Mortuary (Kristopher Woofter) * Chapter 4. Salem’s Lot: Tobe Hooper’s Gothic Peyton Place (Tony Williams) * Chapter 5. Feeding the Industrial Monster: A Critical Reconsideration of Tobe Hooper’s The Mangler (Carl H. Sederholm) * Chapter 6. Unsettled Architecture and Avant-Garde Strategies in Tobe Hooper’s Down Friday Street, Toolbox Murders, and Djinn (Anne Golden and Kristopher Woofter) 4. Part II. Embodiment * Chapter 7. Nightmare Images: Tobe Hooper on Horror and Aging (Adam Lowenstein) * Chapter 8. Experimental Sorcery in Tobe Hooper’s Eggshells (Mario DeGiglio-Bellemare) * Chapter 9. Lizard Brain Ouroboros: Human Antiexceptionalism in Tobe Hooper’s Eaten Alive and Crocodile (Mike Thorn) * Chapter 10. “Sex or the Saw, Boy, What’s It Gonna Be?”: Tobe Hooper’s Anxious Men (Will Dodson) * Chapter 11. Bad Touches: Spontaneous Combustion in the Aftermath of the Nuclear Family (Alanna Thain) 5. Part III. Production and Industry * Chapter 12. Can(n)onical Hooper: A Reconsideration of Tobe Hooper’s Golan-Globus Films (Ian Olney) * Chapter 13. Hooper’s Hollywood: Investigating Occult Spaces in Toolbox Murders (2004) (Nina K. Martin) * Chapter 14. Songs in the Key of Death: Tobe Hooper’s “Dancing with Myself” and “Dance of the Dead” (Jerry D. Metz) * Chapter 15. The Past Infects the Present: Abjection and Identity in Tobe Hooper's 1990s TV and Video Productions (John Taylor) * Chapter 16. “Get Back to Work!”: Critiquing the Hollywood-Industrial Complex in The Mangler (Clayton Dillard) 6. Part IV. The American Twilight * Chapter 17. The Texas Chain Saw Massacre Begins (J. Shea and Ned Schantz) * Chapter 18. Tobe Hooper and the American Twilight (Christopher Sharrett) 7. Appendix: Cross-Referenced Tobe Hooper Filmography 8. References 9. List of Contributors 10. Index
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