Alternative Shakespeares, volume 2 consists of entirely new essays by some of the world's leading Shakespearean critics. The topics covered include: Sexuality and gender; language and power; textuality and printing; race and Shakespeare's Britain; new historicist criticism and the 'gaze' of the audience.
Alternative Shakespeares, volume 2 consists of entirely new essays by some of the world's leading Shakespearean critics. The topics covered include: Sexuality and gender; language and power; textuality and printing; race and Shakespeare's Britain; new historicist criticism and the 'gaze' of the audience.
Terence Hawkes is Emeritus Professor of English at Cardiff University. He is the author of a number of books, including That Shakespherian Rag and Meaning By Shakespeare, and is General Editor of the Accents on Shakespeare series.
Inhaltsangabe
1. Introduction Terence Hawkes 2. After the new historicism Steven Mullaney 3. Cleopatra's seduction Catherine Belsey 4. Imprints: Shakespeare, Guttenburg and Descartes Margreta de Grazia 5. Locating the sexual subject Bruce R. Smith 6. How to read 'The Merchant of Venice' without being heterosexist Alan Sinfield 7. 'In what chapter of his bosom?': reading Shakespeare's bodies Keir Elam 8. Shakespeare and cultural difference Ania Loomba 9. 'Othello was a white man': properties of race on Shakespeare's stage Dympna Callaghan 10. Watching Hamlet watching: Lacan, Shakespeare and the mirror/stage Philip Armstrong 11. Afterword: the next generation John Drakakis Notes, Bibliography, Index.
1. Introduction Terence Hawkes 2. After the new historicism Steven Mullaney 3. Cleopatra's seduction Catherine Belsey 4. Imprints: Shakespeare, Guttenburg and Descartes Margreta de Grazia 5. Locating the sexual subject Bruce R. Smith 6. How to read 'The Merchant of Venice' without being heterosexist Alan Sinfield 7. 'In what chapter of his bosom?': reading Shakespeare's bodies Keir Elam 8. Shakespeare and cultural difference Ania Loomba 9. 'Othello was a white man': properties of race on Shakespeare's stage Dympna Callaghan 10. Watching Hamlet watching: Lacan, Shakespeare and the mirror/stage Philip Armstrong 11. Afterword: the next generation John Drakakis Notes, Bibliography, Index.
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