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The second half of the book is six essays on allusion's affiliations: to plagiarism (allusion being plagiarism's responsible opposite); to metaphor (allusion being a form that metaphor may take); to loneliness in poetry (allusion constituting company); to allusion within poetry to prose (on A E. Housman); to translation as exercising allusion (on David Ferry); and to the clash between one poet's practice and his critical principles (on Yvor Winters).
Christopher Ricks is among the best known living critics. His third collection of essays, several newly written for this book, is strongly
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Produktbeschreibung
The second half of the book is six essays on allusion's affiliations: to plagiarism (allusion being plagiarism's responsible opposite); to metaphor (allusion being a form that metaphor may take); to loneliness in poetry (allusion constituting company); to allusion within poetry to prose (on A E. Housman); to translation as exercising allusion (on David Ferry); and to the clash between one poet's practice and his critical principles (on Yvor Winters).
Christopher Ricks is among the best known living critics. His third collection of essays, several newly written for this book, is strongly focused on the theme of how writers--especially but not exclusively poets--make use of other writers' work: from the subtle courtesies of different kinds of allusion to the extreme discourtesy of plagiarism.
Autorenporträt
Professor Christopher Ricks is Warren Professor of the Humanities at Boston University and co-director of the Editorial Institute. He has taught at Boston University since 1986; he was formerly King Edward VII Professor of English Literature at the University of Cambridge. He is the general editor of two series, Penguin English Poets and Poets in Translation, and the co-editor of Essays in Criticism. In 2002 he delivered the Panizzi Lectures in Bibliography at the British Library.