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§'Like Robert Macfarlane re-written by Cormac McCarthy.' Telegraph
'Beckett doing Beowulf.' London Review of Books
A small religious community is living in what were once the fens of eastern England. They are perhaps the world's last human survivors. Now, they find themselves stalked by a force that draws ever closer, a force intent on destroying everything they stand for.
Set on the far side of the ecological apocalypse, Paul Kingsnorth's new novel is a mythical, polyphonic drama driven by elemental themes: of community versus the self, the mind versus the body, machine versus man -
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Produktbeschreibung
§'Like Robert Macfarlane re-written by Cormac McCarthy.' Telegraph

'Beckett doing Beowulf.' London Review of Books

A small religious community is living in what were once the fens of eastern England. They are perhaps the world's last human survivors. Now, they find themselves stalked by a force that draws ever closer, a force intent on destroying everything they stand for.

Set on the far side of the ecological apocalypse, Paul Kingsnorth's new novel is a mythical, polyphonic drama driven by elemental themes: of community versus the self, the mind versus the body, machine versus man - of whether to put your faith in the present or the future.

Alexandria completes the Buckmaster Trilogy, which began with Kingsnorth's prize-winning The Wake.
Autorenporträt
Kingsnorth, PaulPaul Kingsnorth's debut novel, The Wake, won the 2014 Gordon Burn Prize. His second, Beast, was described by Jay Griffiths as 'a portrait of the psyche in gaunt, glittering transcendence'. He is also the author of One No, Many Yeses and Real England, and a poetry collection, Kidland. He is the co-founder of The Dark Mountain Project.
Rezensionen
Unconventional orthography and mythic style add texture to a story that examines whether the body is essential or merely the mind's cage and whether humans are inherently destructive. The New Yorker