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This book discusses the significance of late twentieth-century American fiction written in response to the AIDS crisis and interrogates how sexual identity is reflected and constructed textually. Pearl develops Freudian psychoanalytic theory in a complex account of the ways in which grief is expressed and worked out in literature, showing how key texts from the AIDS crisis by authors such as Edmund White, Michael Cunningham, and Eve Sedgwick lie both within the tradition of gay writing and a postmodernist poetics. The book demonstrates how literary texts both reflect and construct personal…mehr

Produktbeschreibung
This book discusses the significance of late twentieth-century American fiction written in response to the AIDS crisis and interrogates how sexual identity is reflected and constructed textually. Pearl develops Freudian psychoanalytic theory in a complex account of the ways in which grief is expressed and worked out in literature, showing how key texts from the AIDS crisis by authors such as Edmund White, Michael Cunningham, and Eve Sedgwick lie both within the tradition of gay writing and a postmodernist poetics. The book demonstrates how literary texts both reflect and construct personal identity, how they reflect and produce sexual identities, and how gay and queer identities were written onto the page, but also constructed and consolidated by these very texts. Pearl argues that the division between realist and postmodern, and gay and queer, respectively, is determined by whether the experience expressed and accounted is mediated through the psychoanalytic categories of mourning or melancholia, and is marked by a kind of coherence or chaos in the texts themselves. This study presents an important development in scholarly work in gay literary studies and queer theory.
Autorenporträt
Monica B. Pearl is Lecturer in Twentieth Century American Literature at the University of Manchester, UK.