Take your motion graphics and VFX projects to the next level by mastering the new CINEWARE feature in After Effects. CINEWARE provides you with an assortment of new 3D tools and options that are difficult or next to impossible to achieve in After Effects alone. The first section discusses how the two applications can work together in unison, illustrating how to seamlessly import and export 3D assets and compositons between each application. The second section explores modeling techniques and visual effects involved in using both applications together. The final section goes into optimization and rendering for multiple outputs and devices.…mehr
Take your motion graphics and VFX projects to the next level by mastering the new CINEWARE feature in After Effects. CINEWARE provides you with an assortment of new 3D tools and options that are difficult or next to impossible to achieve in After Effects alone. The first section discusses how the two applications can work together in unison, illustrating how to seamlessly import and export 3D assets and compositons between each application. The second section explores modeling techniques and visual effects involved in using both applications together. The final section goes into optimization and rendering for multiple outputs and devices.
Chris Jackson is an author, designer, and professor at the Rochester Institute of Technology (RIT). He lectures and conducts workshops relating to interaction design and motion graphics, and his professional work has received over 25 distinguished national and international awards for online communication. He continues to publish and present his research and professional work at Adobe MAX Creativity Conference, ACM SIGGRAPH, and the Society for Technical Communication (STC). Chris is also the author of Flash + After Effects, Second Edition (Focal Press, 2010), Flash Cinematic Techniques (Focal Press, 2010), and co-author of Flash 3D: Animation, Interactivity, and Games (Focal Press 2006).
Inhaltsangabe
Introduction Chapter 1: Getting Started in CINEMA 4D What is CINEMA 4D Lite and CINEWARE? Creating a CINEMA 4D File Modeling in CINEMA 4D Lite Applying Materials in CINEMA 4D Lite Moving Around in CINEMA 4D Lite Adding Lights in CINEMA 4D Lite Animating in CINEMA 4D Lite Rendering in After Effects Chapter 2: Modeling in CINEMA 4D The CINEMA 4D Workflow Modeling with Primitives Generating Objects with NURBS Defining Surface Properties Lighting a Scene Working with Cameras Adding Visual Effects and Rendering Chapter 3: 3D Camera Tracking and Compositing with CINEWARE CINEWARE Render Settings Using the 3D Camera Tracker in After Effects Compositing a 3D Object with CINEWARE Exporting a CINEMA 4D file from After Effects Using a Null and Camera Objects in CINEMA 4D Chapter 4: Casting Shadows Using Layers with CINEWARE Lights and Shadows in CINEMA 4D Creating a Shadow Catcher in After Effects Adding Shadows in CINEMA 4D Setting Up Layers and Compositing Tags Compositing Layers with CINEWARE Chapter 5: Lighting Effects Seeing the Light Adding Volumetric Lighting Mixing Color with Lights Combining 2D and 3D Effects Chapter 6: Materials and Shaders in Motion What are Shaders? Using Volumetric Shaders Product Placement with Alpha Channels Animating Materials with Noise Shaders Optimizing a CINEMA 4D Scene Chapter 7: Working with Cameras in CINEMA 4D and CINEWARE Cameras in CINEMA 4D and CINEWARE Using Camera Layers in After Effects Attaching a Target Camera to a Spline Controlling Multiple Cameras in CINEWARE Adding a Stage Object to Change Cameras Chapter 8: Multi-Pass Rendering with CINEWARE Rendering in CINEMA 4D Lite Creating Shadows with Ambient Occlusion Setting Up Multi-Pass Rendering Adding an Object Buffer Combining Multi-Pass Layers in CINEWARE Chapter 9: Beyond CINEMA 4D Lite Upgrading from CINEMA 4D Lite Modeling with Points. Edges, and Polygons Exploring MoGraph Objects in CINEMA 4D Animating with Sound Effectors Adding Dynamics to a Scene Index
Introduction Chapter 1: Getting Started in CINEMA 4D What is CINEMA 4D Lite and CINEWARE? Creating a CINEMA 4D File Modeling in CINEMA 4D Lite Applying Materials in CINEMA 4D Lite Moving Around in CINEMA 4D Lite Adding Lights in CINEMA 4D Lite Animating in CINEMA 4D Lite Rendering in After Effects Chapter 2: Modeling in CINEMA 4D The CINEMA 4D Workflow Modeling with Primitives Generating Objects with NURBS Defining Surface Properties Lighting a Scene Working with Cameras Adding Visual Effects and Rendering Chapter 3: 3D Camera Tracking and Compositing with CINEWARE CINEWARE Render Settings Using the 3D Camera Tracker in After Effects Compositing a 3D Object with CINEWARE Exporting a CINEMA 4D file from After Effects Using a Null and Camera Objects in CINEMA 4D Chapter 4: Casting Shadows Using Layers with CINEWARE Lights and Shadows in CINEMA 4D Creating a Shadow Catcher in After Effects Adding Shadows in CINEMA 4D Setting Up Layers and Compositing Tags Compositing Layers with CINEWARE Chapter 5: Lighting Effects Seeing the Light Adding Volumetric Lighting Mixing Color with Lights Combining 2D and 3D Effects Chapter 6: Materials and Shaders in Motion What are Shaders? Using Volumetric Shaders Product Placement with Alpha Channels Animating Materials with Noise Shaders Optimizing a CINEMA 4D Scene Chapter 7: Working with Cameras in CINEMA 4D and CINEWARE Cameras in CINEMA 4D and CINEWARE Using Camera Layers in After Effects Attaching a Target Camera to a Spline Controlling Multiple Cameras in CINEWARE Adding a Stage Object to Change Cameras Chapter 8: Multi-Pass Rendering with CINEWARE Rendering in CINEMA 4D Lite Creating Shadows with Ambient Occlusion Setting Up Multi-Pass Rendering Adding an Object Buffer Combining Multi-Pass Layers in CINEWARE Chapter 9: Beyond CINEMA 4D Lite Upgrading from CINEMA 4D Lite Modeling with Points. Edges, and Polygons Exploring MoGraph Objects in CINEMA 4D Animating with Sound Effectors Adding Dynamics to a Scene Index
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