This study explores the concept of Stimmung in literary and philosophical texts of the modern age. Through its focus on the concept of Stimmung, this study unearths a fundamental link between existentialist concerns and narrative practice in modern literature.
This study explores the concept of Stimmung in literary and philosophical texts of the modern age. Through its focus on the concept of Stimmung, this study unearths a fundamental link between existentialist concerns and narrative practice in modern literature.
Birgit Breidenbach is a Lecturer in Literature and Philosophy at the University of East Anglia. She completed her Ph.D. in English and Comparative Literary Studies at the University of Warwick and gained teaching and research experience at Warwick and Queen Mary University of London before joining UEA in 2018. Her published and presented work focuses on literary and aesthetic theory, mood and affect and the interplay between philosophy and literature.
Inhaltsangabe
Preface Introduction. Stimmung and Modernity: Theoretical Explorations Stimmung in Modern Philosophy Conceptualising Stimmung in Literature Chapter 1: Fyodor Dostoevsky's Moody Modernity Alienation in the Modern City The Intensity of Aesthetic Experience Aesthetic Intensity and the Modern Condition Chapter 2: Aesthetic Attunement in Samuel Beckett's Narrative Fiction The (Pre- and Post-)Cartesian Subject in Murphy and Watt 'All I am is feeling:' The Textual Dynamics of Molloy Decomposed Selves, Voices in the Dark Chapter 3: Eine 'Stimmungssache:' Thomas Bernhard's 'Trilogy of the Arts' Music and Artistic Ideal in The Loser Woodcutters: Irritation and the Creative Process Bernhard's Aesthetics of Stimmung and the Failure of Art in Old Masters Conclusion Bibliography
Preface Introduction. Stimmung and Modernity: Theoretical Explorations Stimmung in Modern Philosophy Conceptualising Stimmung in Literature Chapter 1: Fyodor Dostoevsky's Moody Modernity Alienation in the Modern City The Intensity of Aesthetic Experience Aesthetic Intensity and the Modern Condition Chapter 2: Aesthetic Attunement in Samuel Beckett's Narrative Fiction The (Pre- and Post-)Cartesian Subject in Murphy and Watt 'All I am is feeling:' The Textual Dynamics of Molloy Decomposed Selves, Voices in the Dark Chapter 3: Eine 'Stimmungssache:' Thomas Bernhard's 'Trilogy of the Arts' Music and Artistic Ideal in The Loser Woodcutters: Irritation and the Creative Process Bernhard's Aesthetics of Stimmung and the Failure of Art in Old Masters Conclusion Bibliography
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