Written by scholars of international stature, Aeolian Winds and the Spirit in Renaissance Architecture presents studies of Renaissance pneumatology exploring the relationship between architecture and the disciplines of art and science.
Written by scholars of international stature, Aeolian Winds and the Spirit in Renaissance Architecture presents studies of Renaissance pneumatology exploring the relationship between architecture and the disciplines of art and science.
Barbara Kenda is a Professor at the School of Architecture, University of Notre Dame. She is the author of several articles on pneumatic architecture. Recently, she was a senior fellow at Dumbarton Oaks, Harvard University.
Inhaltsangabe
1. Introduction 2. Chasma Ges: Delphic Pneuma and the Cult of Asklepios 3. 'Study the Warm Winds and the Cold': Hippocrates and the Renaissance Villa 4. The Role of the Winds in the Architectural Theory from Vitruvius to Scamozzi 5. Making Visible the Invisible: Signs of Aer in Renaissance Treatises 6. Poetry and 'Spirited' Ancient Sculpture in Renaissance Rome: Pomponio Leto's Academy to the Sixteenth-Century Sculpture Garden 7. The Winds in the Corners: Giulio Romano, The Elements and the Palazzo Te's Fall of the Giants 8. The Breath of Cities
1. Introduction 2. Chasma Ges: Delphic Pneuma and the Cult of Asklepios 3. 'Study the Warm Winds and the Cold': Hippocrates and the Renaissance Villa 4. The Role of the Winds in the Architectural Theory from Vitruvius to Scamozzi 5. Making Visible the Invisible: Signs of Aer in Renaissance Treatises 6. Poetry and 'Spirited' Ancient Sculpture in Renaissance Rome: Pomponio Leto's Academy to the Sixteenth-Century Sculpture Garden 7. The Winds in the Corners: Giulio Romano, The Elements and the Palazzo Te's Fall of the Giants 8. The Breath of Cities
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