'Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955-1975' constitutes a thematic examination of the pervasive assumption that 'the older generation' reacted in a largely negative fashion to music styles popular with British young people from the 1950s to the mid-1970s (including rock 'n' roll, skiffle, 'beat' and rock music) and that the music invariably exacerbated inter-generational tensions.
'Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955-1975' constitutes a thematic examination of the pervasive assumption that 'the older generation' reacted in a largely negative fashion to music styles popular with British young people from the 1950s to the mid-1970s (including rock 'n' roll, skiffle, 'beat' and rock music) and that the music invariably exacerbated inter-generational tensions.
Acknowledgements Introduction 1. 'You Go Halfway, Don't You?' Family Life, Generational Identity and Popular Music 2. 'To Have Done Something': The Christian Churches, Youth Clubs and Popular Music 3. 'You've Got to Be Able to Entertain People': The Encounter between Popular Music and the Worlds of Variety and 'Light Entertainment' Conclusion Bibliography Index.
Acknowledgements Introduction 1. 'You Go Halfway, Don't You?' Family Life, Generational Identity and Popular Music 2. 'To Have Done Something': The Christian Churches, Youth Clubs and Popular Music 3. 'You've Got to Be Able to Entertain People': The Encounter between Popular Music and the Worlds of Variety and 'Light Entertainment' Conclusion Bibliography Index.
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