Adapting Western Classics for the Chinese Stage presents a comprehensive study of transnational, transcultural, and translingual adaptations of Western classics, from the turn of the twentieth century to present-day China in the age of globalisation.
Adapting Western Classics for the Chinese Stage presents a comprehensive study of transnational, transcultural, and translingual adaptations of Western classics, from the turn of the twentieth century to present-day China in the age of globalisation.
Shouhua Qi is Distinguished Visiting Professor at the College of Liberal Arts, Yangzhou University and Professor and Chair of the Department of English at Western Connecticut State University.
Inhaltsangabe
Prologue 1. First Contact: Early Chinese Encounters with Western Drama 2. Black Slave's Cry to Heaven, the Birth Cry of Modern Chinese Drama, and a Group of Post-'80s Amateurs in Search of a Director 3. Guess Who's Coming: Brecht, Beckett, Miller, and the Revival of Modern Chinese Drama 4. Tragic Hero and Hero Tragedy: Reimagining Classic Greek Drama as Chinese Xiqu Today 5. Old Man Shakespeare, the All but Forgotten Shaw, and the Importance of Being Oscar Wilde 6. An Old "Mentor and Friend" from Afar: Adapting Classic Russian Drama for the Chinese Stage 7. The Tragic, the Comic, the Absurd, and the "Grand Feast" of French Classics Epilogue
Prologue 1. First Contact: Early Chinese Encounters with Western Drama 2. Black Slave's Cry to Heaven, the Birth Cry of Modern Chinese Drama, and a Group of Post-'80s Amateurs in Search of a Director 3. Guess Who's Coming: Brecht, Beckett, Miller, and the Revival of Modern Chinese Drama 4. Tragic Hero and Hero Tragedy: Reimagining Classic Greek Drama as Chinese Xiqu Today 5. Old Man Shakespeare, the All but Forgotten Shaw, and the Importance of Being Oscar Wilde 6. An Old "Mentor and Friend" from Afar: Adapting Classic Russian Drama for the Chinese Stage 7. The Tragic, the Comic, the Absurd, and the "Grand Feast" of French Classics Epilogue
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