This book shows how traditional notions of the processes and products of creative adaptation are evolving online. It provides a vocabulary to analyze, discuss, and theorize about the implications of online forms of adaptation and highlights the potential and possible ethical quandaries of adaptation online.
This book shows how traditional notions of the processes and products of creative adaptation are evolving online. It provides a vocabulary to analyze, discuss, and theorize about the implications of online forms of adaptation and highlights the potential and possible ethical quandaries of adaptation online.
Lyndsay Michalik Gratch is assistant professor of film at Georgia Gwinnett College and an interdisciplinary scholar-artist.
Inhaltsangabe
Contents Acknowledgments Chapter 1: Online Video-to-Video Adaptation Chapter 2: The Many Voices of Antoine Dodson Chapter 3: The Many Faces of Sweet Brown Chapter 4: Hitler.....Played by Der Untergangers Chapter 5: Sweding Dirty Harry: Collaged Confessions of a Cinemasochist Conclusion: Another Neverending Story Bibliography About the Author
Contents Acknowledgments Chapter 1: Online Video-to-Video Adaptation Chapter 2: The Many Voices of Antoine Dodson Chapter 3: The Many Faces of Sweet Brown Chapter 4: Hitler.....Played by Der Untergangers Chapter 5: Sweding Dirty Harry: Collaged Confessions of a Cinemasochist Conclusion: Another Neverending Story Bibliography About the Author
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