A play set in the past and the present juxtaposing the world of Byron's daughter Ada Lovelace, who invented, with Charles Babbage, the maths that led to the first computer, and the way an Artificial Intelligence machine called Ginny upsets expectations as her researcher inputs knowledge of the world today. Perfect for use with young people to encourage discussion of issues concerning Artificial Intelligence, social conventions and girls into STEM subjects.
A play set in the past and the present juxtaposing the world of Byron's daughter Ada Lovelace, who invented, with Charles Babbage, the maths that led to the first computer, and the way an Artificial Intelligence machine called Ginny upsets expectations as her researcher inputs knowledge of the world today. Perfect for use with young people to encourage discussion of issues concerning Artificial Intelligence, social conventions and girls into STEM subjects.
Emily is a playwright, screenwriter, dramaturg, reviewer, and reformed actor. Originally from Derby, she is now based in Exeter. She has previously worked with companies and collectives including Encompass Productions (STASIS, 2015), In Good Company (STORY SCAVENGERS, 2014), The Pensive Federation (THE GUEST ROOM, 2014), Act 2 (STASIS, 2014), and New Model Theatre (APRIL, 2012-2013). She was a writer on attachment with New Perspectives Theatre Company in 2014. In 2015, she was commissioned by BAFTA winning director Peter Nicholson to write her first feature film, NOVEMBER. Her work has been performed in off-West End venues and theatres across the UK, including the White Bear Theatre, the Tristan Bates Theatre, The Bike Shed Theatre, Nottingham Playhouse, Derby Theatre, and the Lincoln Performing Arts Centre. Emily reviews for Exeunt Magazine and The F Word.
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