This book traces the development of activist filmmaking practices in Pakistan which have emerged as a response to the consequences of religious fundamentalism, extremism, and violation of human rights. Beginning with the period of General Zia-ul-Haq's Islamization process (1977-88), it discusses documentary films that have critically addressed and documented the key events and developments that have shaped Pakistan's socio-political, socio-economic, and cultural history. The contribution of Pakistani documentary filmmakers stands as a significant body of work that has served the cause of human…mehr
This book traces the development of activist filmmaking practices in Pakistan which have emerged as a response to the consequences of religious fundamentalism, extremism, and violation of human rights. Beginning with the period of General Zia-ul-Haq's Islamization process (1977-88), it discusses documentary films that have critically addressed and documented the key events and developments that have shaped Pakistan's socio-political, socio-economic, and cultural history. The contribution of Pakistani documentary filmmakers stands as a significant body of work that has served the cause of human rights, promoting awareness and social change in Pakistan, particularly regarding gender rights.
Rahat Imran holds a PhD in Cinema Studies from the Simon Fraser University, British Columbia, Canada. She has held a Post-doctoral Research Fellowship in the Department of Film Studies, Media Studies, and Media Education at the University of Bremen, Germany. Currently, Dr. Imran is affiliated with the Institute of Social and Cultural Studies, University of the Punjab, Lahore, Pakistan. She is completing her second book on Comparative Cinemas.
Inhaltsangabe
Introduction 1. Towards a Theory of Cinema of Accountability: Critical Perspectives on Activist Film Practices 2. Injustices on Film: A Reading of Activist Documentaries Against the Legacy of Islamization 3. Cinema on Terror: Charting the Militant Mix of Politics Religion and Talibanization 4. Victims of a Vicious System: Women Violence and Human Rights
Introduction 1. Towards a Theory of Cinema of Accountability: Critical Perspectives on Activist Film Practices 2. Injustices on Film: A Reading of Activist Documentaries Against the Legacy of Islamization 3. Cinema on Terror: Charting the Militant Mix of Politics Religion and Talibanization 4. Victims of a Vicious System: Women Violence and Human Rights
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