In this lively account of politics and popular music, Mark Mattern develops the concept of "acting in concert," a metaphor for community-based political action through music. Through three detailed case studies of Chilean, Cajun, and American Indian popular music, Mattern explores the way popular muisicians forge community and lead members of their communities in several distinct kinds of political action that would be difficult or impossible among individuals who are not linked by communal ties.
In this lively account of politics and popular music, Mark Mattern develops the concept of "acting in concert," a metaphor for community-based political action through music. Through three detailed case studies of Chilean, Cajun, and American Indian popular music, Mattern explores the way popular muisicians forge community and lead members of their communities in several distinct kinds of political action that would be difficult or impossible among individuals who are not linked by communal ties.
Mark Mattern is an assistant professor of political science at Chapman University, Orange, California.
Inhaltsangabe
Acknowledgments Introduction Chapter 1 Popular Music and Community Chapter 2 Popular Music, Political Action, and Power Chapter 3 El pueblo, unido, jamas sera vencido: Popular Music and Democratic Politics in Chile, 1960-1973 Chapter 4 Vamos a vivir: Resistance and Redemocratization after the 1973 Coup Chapter 5 Laissez les bon temps roulez: Cajun Music and Cultural Revival Chapter 6 Stirring Up the Roux: Negotiating Cajun Identity and Relations with Black Creoles Chapter 7 Entering the Circle: Powwow Music in Minnesota and Western Wisconsin Chapter 8 Music, Community, and Diversity Notes Bibliography Index
Acknowledgments Introduction Chapter 1 Popular Music and Community Chapter 2 Popular Music, Political Action, and Power Chapter 3 El pueblo, unido, jamas sera vencido: Popular Music and Democratic Politics in Chile, 1960-1973 Chapter 4 Vamos a vivir: Resistance and Redemocratization after the 1973 Coup Chapter 5 Laissez les bon temps roulez: Cajun Music and Cultural Revival Chapter 6 Stirring Up the Roux: Negotiating Cajun Identity and Relations with Black Creoles Chapter 7 Entering the Circle: Powwow Music in Minnesota and Western Wisconsin Chapter 8 Music, Community, and Diversity Notes Bibliography Index
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