A Theory of the Tache in Nineteenth-Century Painting - Sj&
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Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist's body. This book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art.

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Produktbeschreibung
Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist's body. This book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art.
Autorenporträt
Øystein Sjåstad is a lecturer in art history at the Department of Philosophy, Classics, History of Art and Ideas at the University of Oslo, Norway.