Examines how choral singing can be both personally transformative and politically impactful. Comparing queer choral performances to the uses of group singing within the civil rights and labor movements, Julia ""Jules"" Balén maps the relationship between different forms of oppression and strategic musical forms of resistance.
Examines how choral singing can be both personally transformative and politically impactful. Comparing queer choral performances to the uses of group singing within the civil rights and labor movements, Julia ""Jules"" Balén maps the relationship between different forms of oppression and strategic musical forms of resistance.
Contents Introduction: Why Choruses? Part I: Finding our Voices Chapter 1: Singing as Counterstorying Practice Chapter 2: Choral Musicking for Change Part II: Queer Organizing for Social Change Chapter 3: Practices of Identity: Queering Social Institutions Chapter 4: Queer Choral Musicking: Cultural Contexts Chapter 5: Choral Technologies for Queering Part III: Communal Erotics and Social Justice Chapter 6: Emotions, Identities, and Choral Musicking Chapter 7: Communal Erotics: Choral Musicking and Our Capacity for Joy Acknowledgments Bibliography
Contents Introduction: Why Choruses? Part I: Finding our Voices Chapter 1: Singing as Counterstorying Practice Chapter 2: Choral Musicking for Change Part II: Queer Organizing for Social Change Chapter 3: Practices of Identity: Queering Social Institutions Chapter 4: Queer Choral Musicking: Cultural Contexts Chapter 5: Choral Technologies for Queering Part III: Communal Erotics and Social Justice Chapter 6: Emotions, Identities, and Choral Musicking Chapter 7: Communal Erotics: Choral Musicking and Our Capacity for Joy Acknowledgments Bibliography
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