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Isidore Ducasse, known as the Count of Lautréamont, with Les Chants de Maldoror and the Poésies, explains to us the true meaning of adventure writing. His search for new landmarks, as a refuge or as a remedy for a malaise in his own society, allows us to see a Lautréamontian poetic vision and his intention to recapture the dark powers and to reach the infinite. Beside a Lautréamont read and reread in the West, a Lautréamont remains little known in China! From the 1920s until today, he is waiting for his public to play the game, little by little... Published as part of the project "Studies on…mehr

Produktbeschreibung
Isidore Ducasse, known as the Count of Lautréamont, with Les Chants de Maldoror and the Poésies, explains to us the true meaning of adventure writing. His search for new landmarks, as a refuge or as a remedy for a malaise in his own society, allows us to see a Lautréamontian poetic vision and his intention to recapture the dark powers and to reach the infinite. Beside a Lautréamont read and reread in the West, a Lautréamont remains little known in China! From the 1920s until today, he is waiting for his public to play the game, little by little... Published as part of the project "Studies on Lautréamont's works and his influence", number 20YJA752015, funded by the Social Sciences and Humanities Funds of the Ministry of National Education of China. 20YJA752015
Autorenporträt
ZHENG XIANG, ehemalige Schülerin der École normale supérieure in Lyon, Assistenzprofessorin für französischsprachige Literaturen an der Universität für Internationale Studien in Xi'an, China.Lyrik Bereich Französisch und Chinesisch - Poetik - Übersetzung