A Modernist Cinema
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In A Modernist Cinema, sixteen distinguished scholars in the field of the New Modernist Studies explore the interrelationships among cinema, modernism across the arts, and modernity in the period 1914 to 1941. Each of the fifteen chapters focuses on at least one influential film by a major director from Europe, America, or Asia, including Pastrone, Griffith, Eisenstein, Lang, Hitchcock, Murnau, Dreyer, Vertov, Buñuel, Ozu, Ford Renior, Chaplin, Riefenstahl, and Welles. Contributors explore the formal and aesthetic qualities silent and early sound films in relation to their social, cultural,…mehr

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Produktbeschreibung
In A Modernist Cinema, sixteen distinguished scholars in the field of the New Modernist Studies explore the interrelationships among cinema, modernism across the arts, and modernity in the period 1914 to 1941. Each of the fifteen chapters focuses on at least one influential film by a major director from Europe, America, or Asia, including Pastrone, Griffith, Eisenstein, Lang, Hitchcock, Murnau, Dreyer, Vertov, Buñuel, Ozu, Ford Renior, Chaplin, Riefenstahl, and Welles. Contributors explore the formal and aesthetic qualities silent and early sound films in relation to their social, cultural, and political context and with particular attention to the challenges, crises, and promise of modern life in the first half of the 20th century.
Autorenporträt
Scott W. Klein is Professor of English and Artistic Director of the Secrest Artists Series at Wake Forest University, North Carolina. He is the author of The Fictions of James Joyce and Wyndham Lewis: Monsters of Nature and Design the editor of the Oxford World's Classics edition of the 1928 edition of Wyndham Lewis's Tarr, and with Mark Antliff the editor of the essay collection Vorticism: New Perspectives. He has published essays in such journals as ELH, Modernist Cultures, Twentieth Century Literature, and The James Joyce Quarterly, and is on the editorial boards of the Oxford Complete Writings of Wyndham Lewis edition and of the The Journal of Wyndham Lewis. Michael Valdez Moses is Professor of Literature and the Humanities in the Smith Institute for Political Economy and Philosophy and in the Argyros School of Business and Economics at Chapman University, and Associate Emeritus Professor at Duke University, where he was a faculty member of the English Department from 1987 to 2019. He is the author of The Novel and the Globalization of Culture (1995), co-editor of Modernism and Colonialism: British and Irish Literature, 1900-1939 (2010) and Modernism, Postcolonialism, and Globalism: Anglophone Literature, 1950 to the Present (2019), and editor of The Writings of J. M. Coetzee (special issue of South Atlantic Quarterly, 1994) and Modernism and Cinema (special issue of Modernist Cultures, 2010). He has been a Visiting Fellow at the Humanities Research Centre at the Australian National University, a Duke Endowment Fellow at the National Humanities Center, USIA Visiting Professor at the Universitat Autónoma de Barcelona and at Université Cadi Ayyad in Marrakech, and the MacLean Distinguished Visiting Professor at Colorado College. He is former Director of Graduate Studies in the English Department of Duke University and a founding co-editor of the journal, Modernist Cultures.