John Potter is an Army chaplain, a Christian pastor, and a Religion professor. He has pastored churches in the Midwest since 2002. John has overseas deployment experience and has conducted over 100 suicide interventions for service members, veterans, and military families. Chaplain Potter has served on the Governor's Behavioral Health Services Planning Council Suicide Prevention Subcommittee; the Governor's Challenge to Prevent Suicide for Service Members, Veterans, & Families Initiative; and the American Association of Suicidology's Military & Veteran Committee. John is known for his scholarly acumen and pastor's heart. He is a popular suicide prevention trainer, speaker, and author who strongly believes that suicide is preventable, saving lives is possible, and that you can make a difference in the life of others. John studied at Kansas State University and Nazarene Theological Seminary before earning a Doctor of Ministry degree in Spiritual Formation from Azusa Pacific Seminary.
Inhaltsangabe
Introduction Part I. Imagined Voices: Mythology and Muses Part II. Historical Voices: 1. The genesis of the Western tradition 2. The emerging soloist and the primacy of text 3. The age of the virtuoso 4. The nineteenth-century revolution Part III. Recorded Voices: 5. A great tradition: singing through history - history through singing 6. Classical singing in the twentieth century: recording and retrenchment 7. Post-classical: beyond the mainstream 8. The emancipation of the popular voice 9. Sung and unsung: singers and songs of the non English-speaking world Part IV. Sources and Reference: 10. Sources Bibliography.
Introduction Part I. Imagined Voices: Mythology and Muses Part II. Historical Voices: 1. The genesis of the Western tradition 2. The emerging soloist and the primacy of text 3. The age of the virtuoso 4. The nineteenth-century revolution Part III. Recorded Voices: 5. A great tradition: singing through history - history through singing 6. Classical singing in the twentieth century: recording and retrenchment 7. Post-classical: beyond the mainstream 8. The emancipation of the popular voice 9. Sung and unsung: singers and songs of the non English-speaking world Part IV. Sources and Reference: 10. Sources Bibliography.
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