A History of Latinx Performing Arts in the U.S. provides a comprehensive overview of the development of the Latinx performing arts in what now is the U.S. since the sixteenth century.
A History of Latinx Performing Arts in the U.S. provides a comprehensive overview of the development of the Latinx performing arts in what now is the U.S. since the sixteenth century.
Beatriz J. Rizk, PhD, is the Educational Director of the International Hispanic Theatre Festival of Miami, U.S., and a member of Teatro Avante. She has published numerous articles on Latinx and Latin American theatre in specialized journals in the Americas and Europe. Her books include Imaginando un Continente: Utopía, democracia y neoliberalismo en el teatro latinoamericano, two volumes (2010).
Inhaltsangabe
Part I From the Spanish Frontier to the U.S. Borderlands 1 The Spanish Mission Era: Traces of a Living Culture after Three Hundred Years of Colonial Rule 2 The Mexican Period and Beyond: The Creation Generation 3 First Migrant Generation and the Establishing of the Border in the Southwest 4 Mexican Americans: The Shaping of a Community Part II Re-Writing History: Mexican American/Chicana/o Dramaturgy 1 Chicano Renaissance: The Flourishing of a Movement 2 Chicana/o/Latinx Playwriting: The Gender Perspective 3 Playwrights as Historians: Building a Counter History Part III Building a Border Consciousness: Identity Politics and Social Change 1 The Border as a Discursive Space 2 Representing Immigration: The Process of Un-Othering the Border Crosser 3 The "Latinx Threat": Defeating the Culture of Fear and Silence 4 Octavio Solis: The Voice of Affect in the Borderlands
Part I From the Spanish Frontier to the U.S. Borderlands 1 The Spanish Mission Era: Traces of a Living Culture after Three Hundred Years of Colonial Rule 2 The Mexican Period and Beyond: The Creation Generation 3 First Migrant Generation and the Establishing of the Border in the Southwest 4 Mexican Americans: The Shaping of a Community Part II Re-Writing History: Mexican American/Chicana/o Dramaturgy 1 Chicano Renaissance: The Flourishing of a Movement 2 Chicana/o/Latinx Playwriting: The Gender Perspective 3 Playwrights as Historians: Building a Counter History Part III Building a Border Consciousness: Identity Politics and Social Change 1 The Border as a Discursive Space 2 Representing Immigration: The Process of Un-Othering the Border Crosser 3 The "Latinx Threat": Defeating the Culture of Fear and Silence 4 Octavio Solis: The Voice of Affect in the Borderlands
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