Mervyn Cooke is Professor of Music at the University of Nottingham.
Inhaltsangabe
List of illustrations Preface and acknowledgements 1. The 'silent' cinema 2. Sound on track 3. Hollywood's Golden Age: narrative cinema and the classical film score 4. Stage and screen 5. The mainstream divides: postwar horizons in Hollywood 6. 'Never let it be mediocre': film music in the United Kingdom 7. Defectors to television 8. Film music in France 9. Global highlights 10. Popular music in the cinema 11. Classical music in the cinema 12. State of the art: film music since the New Hollywood Bibliography Index of film titles General index.
List of illustrations; Preface and acknowledgements; 1. The 'silent' cinema; 2. Sound on track; 3. Hollywood's Golden Age: narrative cinema and the classical film score; 4. Stage and screen; 5. The mainstream divides: postwar horizons in Hollywood; 6. 'Never let it be mediocre': film music in the United Kingdom; 7. Defectors to television; 8. Film music in France; 9. Global highlights; 10. Popular music in the cinema; 11. Classical music in the cinema; 12. State of the art: film music since the New Hollywood; Bibliography; Index of film titles; General index.
List of illustrations Preface and acknowledgements 1. The 'silent' cinema 2. Sound on track 3. Hollywood's Golden Age: narrative cinema and the classical film score 4. Stage and screen 5. The mainstream divides: postwar horizons in Hollywood 6. 'Never let it be mediocre': film music in the United Kingdom 7. Defectors to television 8. Film music in France 9. Global highlights 10. Popular music in the cinema 11. Classical music in the cinema 12. State of the art: film music since the New Hollywood Bibliography Index of film titles General index.
List of illustrations; Preface and acknowledgements; 1. The 'silent' cinema; 2. Sound on track; 3. Hollywood's Golden Age: narrative cinema and the classical film score; 4. Stage and screen; 5. The mainstream divides: postwar horizons in Hollywood; 6. 'Never let it be mediocre': film music in the United Kingdom; 7. Defectors to television; 8. Film music in France; 9. Global highlights; 10. Popular music in the cinema; 11. Classical music in the cinema; 12. State of the art: film music since the New Hollywood; Bibliography; Index of film titles; General index.
Rezensionen
'Written in a clean, clear prose shot through with a lightly-worn, concisely-argued scholarship, this is a considerable achievement and an essential read for anyone interested in this vital and still developing genre.' Classical Music Magazine
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