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The current practice of the cult of Maria Lionza is one of the most important and yet unexplored religious practices in Venezuela. Based on long-term fieldwork, this book explores the role of images and visual culture within the cult. By adopting a relational approach, A Goddess in Motion shows how the innumerable images of this goddess -represented as an Indian, white or mesitzo woman- move constantly from objects to bodies, from bodies to dreams, and from the religion domain to the art world. In short, this book is a fascinating essay that sheds light on the role of visual creativity in contemporary religious manifestations.…mehr

Produktbeschreibung
The current practice of the cult of Maria Lionza is one of the most important and yet unexplored religious practices in Venezuela. Based on long-term fieldwork, this book explores the role of images and visual culture within the cult. By adopting a relational approach, A Goddess in Motion shows how the innumerable images of this goddess -represented as an Indian, white or mesitzo woman- move constantly from objects to bodies, from bodies to dreams, and from the religion domain to the art world. In short, this book is a fascinating essay that sheds light on the role of visual creativity in contemporary religious manifestations.
Autorenporträt
Roger Canals is a lecturer in the department of social anthropology at the University of Barcelona. Besides numerous articles in visual anthropology and anthropology of religion, he is the director of several international award-winning ethnographic films, including A Goddess in Motion: María Lionza in Barcelona (2016). He was awarded the Fejos Postdoctoral Fellowship by the Wenner Gren Foundation.