A Companion to American Art
Herausgegeben von Davis, John; Greenhill, Jennifer A.; LaFountain, Jason D.
A Companion to American Art
Herausgegeben von Davis, John; Greenhill, Jennifer A.; LaFountain, Jason D.
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A Companion to American Art presents 35 newly-commissioned essays by leading scholars that explore the methodology, historiography, and current state of the field of American art history. * Features contributions from a balance of established and emerging scholars, art and architectural historians, and other specialists * Includes several paired essays to emphasize dialogue and debate between scholars on important contemporary issues in American art history * Examines topics such as the methodological stakes in the writing of American art history, changing ideas about what constitutes…mehr
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A Companion to American Art presents 35 newly-commissioned essays by leading scholars that explore the methodology, historiography, and current state of the field of American art history.
* Features contributions from a balance of established and emerging scholars, art and architectural historians, and other specialists
* Includes several paired essays to emphasize dialogue and debate between scholars on important contemporary issues in American art history
* Examines topics such as the methodological stakes in the writing of American art history, changing ideas about what constitutes "Americanness," and the relationship of art to public culture
* Offers a fascinating portrait of the evolution and current state of the field of American art history and suggests future directions of scholarship
* Features contributions from a balance of established and emerging scholars, art and architectural historians, and other specialists
* Includes several paired essays to emphasize dialogue and debate between scholars on important contemporary issues in American art history
* Examines topics such as the methodological stakes in the writing of American art history, changing ideas about what constitutes "Americanness," and the relationship of art to public culture
* Offers a fascinating portrait of the evolution and current state of the field of American art history and suggests future directions of scholarship
Produktdetails
- Produktdetails
- Blackwell Companions to Art History
- Verlag: Wiley & Sons
- 1. Auflage
- Seitenzahl: 680
- Erscheinungstermin: 13. Juli 2015
- Englisch
- Abmessung: 244mm x 175mm x 33mm
- Gewicht: 1320g
- ISBN-13: 9780470671023
- ISBN-10: 0470671025
- Artikelnr.: 42023562
- Blackwell Companions to Art History
- Verlag: Wiley & Sons
- 1. Auflage
- Seitenzahl: 680
- Erscheinungstermin: 13. Juli 2015
- Englisch
- Abmessung: 244mm x 175mm x 33mm
- Gewicht: 1320g
- ISBN-13: 9780470671023
- ISBN-10: 0470671025
- Artikelnr.: 42023562
John Davis is Alice Pratt Brown Professor of Art at Smith College. His most recent book (co-authored with Sarah Burns) is American Art to 1900: A Documentary History (2009). Jennifer A. Greenhill is Associate Professor of Art History, Criticism and Interpretive Theory at the University of Illinois, Urbana-Champaign. She is the author of Playing It Straight: Art and Humor in the Gilded Age (2012). Jason D. LaFountain is Instructor in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago.
List of Figures xi Notes on Contributors xvii Acknowledgments xxiii
Introduction: American Art History Now: A Snapshot 1 John Davis, Jennifer
A. Greenhill, and Jason D. LaFountain Part I Writing American Art History
13 Dialogue 15 1 A Conversation Missed: Toward a Historical Understanding
of the Americanist/Modernist Divide 17 Joshua Shannon and Jason Weems 2
Response: Setting the Roundtable, or, Prospects for Dialogue between
Americanists and Modernists 34 Jennifer L. Roberts 3 A Time and a Place:
Rethinking Race in American Art History 49 Tanya Sheehan Dialogue 69 4 On
the Social History of American Art 71 Alan Wallach 5 Response: Our Cause Is
What? 85 Robin Kelsey 6 The Maker's Share: Tools for the Study of Process
in American Art 95 Ethan W. Lasser Dialogue 111 7 The Problem with Close
Looking 113 Martin A. Berger 8 Response: Look Away 128 Jennifer A.
Greenhill 9 Looking for Thomas Eakins: The Lure of the Archive and the
Object 146 Kathleen A. Foster Dialogue 165 10 The Challenge of
Contemporaneity, or, Thoughts on Art as Culture 167 Rachael Z. DeLue 11
Response: Writing History, Reading Art 183 Bryan Wolf Part II Geographies:
Rethinking Americanness 191 12 Teaching Across the Borders of North
American Art History 193 Wendy Bellion and Mónica Domínguez Torres 13 An
American Architecture? 211 Dell Upton 14 The Pacific World and American Art
History 228 J.M. Mancini 15 "Home" and "Homeless" in Art between the Wars
246 Angela Miller 16 Pueblo Painting in 1932: Folding Narratives of Native
Art into American Art History 264 Jessica L. Horton and Janet Catherine
Berlo 17 US American Art in the Americas 281 Mary K. Coffey 18 Geography
Lessons: Canadian Notes on American Art History 299 Frances K. Pohl 19 Only
in America: Exceptionalism, Nationalism, Provincialism 317 John Davis 20
Monolingualism, Multilingualism, and the Study of American Art 336 Jason D.
LaFountain Part III Subjectivities 357 21 Painters and Status in Colony and
Early Nation 359 Susan Rather 22 Pantaloons vs. Petticoats: Gender and
Artistic Identity in Antebellum America 378 Sarah Burns 23 Male or Man?:
The Politics of Emancipation in the Neoclassical Imaginary 395 Charmaine A.
Nelson 24 Drawing Boundaries, Crossing Borders: Trespassing and Identity in
American Art 414 Randall R. Griffey 25 Lookout: On Queer American Art and
History 433 Richard Meyer 26 From Nature to Ecology: The Emergence of
Ecocritical Art History 447 Alan C. Braddock 27 Art History as Collage: A
Personal Approach 468 David M. Lubin Part IV Art and Public Culture 487 28
Material Religion in Early America 489 Louis P. Nelson 29 Issues in Early
Mass Visual Culture 507 Michael Leja 30 Patrons, Collectors, and Markets
525 John Ott 31 Historicism in the American Built Environment 544 Kevin D.
Murphy 32 The Painting of Urban Life, 1880-1930 562 David Peters Corbett 33
Photography and Opium in a Nineteenth-Century Port City 581 Anthony W. Lee
34 Value in the Vernacular 599 Leo G. Mazow 35 Realism under Duress: The
1930s 617 Andrew Hemingway Index 637
Introduction: American Art History Now: A Snapshot 1 John Davis, Jennifer
A. Greenhill, and Jason D. LaFountain Part I Writing American Art History
13 Dialogue 15 1 A Conversation Missed: Toward a Historical Understanding
of the Americanist/Modernist Divide 17 Joshua Shannon and Jason Weems 2
Response: Setting the Roundtable, or, Prospects for Dialogue between
Americanists and Modernists 34 Jennifer L. Roberts 3 A Time and a Place:
Rethinking Race in American Art History 49 Tanya Sheehan Dialogue 69 4 On
the Social History of American Art 71 Alan Wallach 5 Response: Our Cause Is
What? 85 Robin Kelsey 6 The Maker's Share: Tools for the Study of Process
in American Art 95 Ethan W. Lasser Dialogue 111 7 The Problem with Close
Looking 113 Martin A. Berger 8 Response: Look Away 128 Jennifer A.
Greenhill 9 Looking for Thomas Eakins: The Lure of the Archive and the
Object 146 Kathleen A. Foster Dialogue 165 10 The Challenge of
Contemporaneity, or, Thoughts on Art as Culture 167 Rachael Z. DeLue 11
Response: Writing History, Reading Art 183 Bryan Wolf Part II Geographies:
Rethinking Americanness 191 12 Teaching Across the Borders of North
American Art History 193 Wendy Bellion and Mónica Domínguez Torres 13 An
American Architecture? 211 Dell Upton 14 The Pacific World and American Art
History 228 J.M. Mancini 15 "Home" and "Homeless" in Art between the Wars
246 Angela Miller 16 Pueblo Painting in 1932: Folding Narratives of Native
Art into American Art History 264 Jessica L. Horton and Janet Catherine
Berlo 17 US American Art in the Americas 281 Mary K. Coffey 18 Geography
Lessons: Canadian Notes on American Art History 299 Frances K. Pohl 19 Only
in America: Exceptionalism, Nationalism, Provincialism 317 John Davis 20
Monolingualism, Multilingualism, and the Study of American Art 336 Jason D.
LaFountain Part III Subjectivities 357 21 Painters and Status in Colony and
Early Nation 359 Susan Rather 22 Pantaloons vs. Petticoats: Gender and
Artistic Identity in Antebellum America 378 Sarah Burns 23 Male or Man?:
The Politics of Emancipation in the Neoclassical Imaginary 395 Charmaine A.
Nelson 24 Drawing Boundaries, Crossing Borders: Trespassing and Identity in
American Art 414 Randall R. Griffey 25 Lookout: On Queer American Art and
History 433 Richard Meyer 26 From Nature to Ecology: The Emergence of
Ecocritical Art History 447 Alan C. Braddock 27 Art History as Collage: A
Personal Approach 468 David M. Lubin Part IV Art and Public Culture 487 28
Material Religion in Early America 489 Louis P. Nelson 29 Issues in Early
Mass Visual Culture 507 Michael Leja 30 Patrons, Collectors, and Markets
525 John Ott 31 Historicism in the American Built Environment 544 Kevin D.
Murphy 32 The Painting of Urban Life, 1880-1930 562 David Peters Corbett 33
Photography and Opium in a Nineteenth-Century Port City 581 Anthony W. Lee
34 Value in the Vernacular 599 Leo G. Mazow 35 Realism under Duress: The
1930s 617 Andrew Hemingway Index 637
List of Figures xi Notes on Contributors xvii Acknowledgments xxiii
Introduction: American Art History Now: A Snapshot 1 John Davis, Jennifer
A. Greenhill, and Jason D. LaFountain Part I Writing American Art History
13 Dialogue 15 1 A Conversation Missed: Toward a Historical Understanding
of the Americanist/Modernist Divide 17 Joshua Shannon and Jason Weems 2
Response: Setting the Roundtable, or, Prospects for Dialogue between
Americanists and Modernists 34 Jennifer L. Roberts 3 A Time and a Place:
Rethinking Race in American Art History 49 Tanya Sheehan Dialogue 69 4 On
the Social History of American Art 71 Alan Wallach 5 Response: Our Cause Is
What? 85 Robin Kelsey 6 The Maker's Share: Tools for the Study of Process
in American Art 95 Ethan W. Lasser Dialogue 111 7 The Problem with Close
Looking 113 Martin A. Berger 8 Response: Look Away 128 Jennifer A.
Greenhill 9 Looking for Thomas Eakins: The Lure of the Archive and the
Object 146 Kathleen A. Foster Dialogue 165 10 The Challenge of
Contemporaneity, or, Thoughts on Art as Culture 167 Rachael Z. DeLue 11
Response: Writing History, Reading Art 183 Bryan Wolf Part II Geographies:
Rethinking Americanness 191 12 Teaching Across the Borders of North
American Art History 193 Wendy Bellion and Mónica Domínguez Torres 13 An
American Architecture? 211 Dell Upton 14 The Pacific World and American Art
History 228 J.M. Mancini 15 "Home" and "Homeless" in Art between the Wars
246 Angela Miller 16 Pueblo Painting in 1932: Folding Narratives of Native
Art into American Art History 264 Jessica L. Horton and Janet Catherine
Berlo 17 US American Art in the Americas 281 Mary K. Coffey 18 Geography
Lessons: Canadian Notes on American Art History 299 Frances K. Pohl 19 Only
in America: Exceptionalism, Nationalism, Provincialism 317 John Davis 20
Monolingualism, Multilingualism, and the Study of American Art 336 Jason D.
LaFountain Part III Subjectivities 357 21 Painters and Status in Colony and
Early Nation 359 Susan Rather 22 Pantaloons vs. Petticoats: Gender and
Artistic Identity in Antebellum America 378 Sarah Burns 23 Male or Man?:
The Politics of Emancipation in the Neoclassical Imaginary 395 Charmaine A.
Nelson 24 Drawing Boundaries, Crossing Borders: Trespassing and Identity in
American Art 414 Randall R. Griffey 25 Lookout: On Queer American Art and
History 433 Richard Meyer 26 From Nature to Ecology: The Emergence of
Ecocritical Art History 447 Alan C. Braddock 27 Art History as Collage: A
Personal Approach 468 David M. Lubin Part IV Art and Public Culture 487 28
Material Religion in Early America 489 Louis P. Nelson 29 Issues in Early
Mass Visual Culture 507 Michael Leja 30 Patrons, Collectors, and Markets
525 John Ott 31 Historicism in the American Built Environment 544 Kevin D.
Murphy 32 The Painting of Urban Life, 1880-1930 562 David Peters Corbett 33
Photography and Opium in a Nineteenth-Century Port City 581 Anthony W. Lee
34 Value in the Vernacular 599 Leo G. Mazow 35 Realism under Duress: The
1930s 617 Andrew Hemingway Index 637
Introduction: American Art History Now: A Snapshot 1 John Davis, Jennifer
A. Greenhill, and Jason D. LaFountain Part I Writing American Art History
13 Dialogue 15 1 A Conversation Missed: Toward a Historical Understanding
of the Americanist/Modernist Divide 17 Joshua Shannon and Jason Weems 2
Response: Setting the Roundtable, or, Prospects for Dialogue between
Americanists and Modernists 34 Jennifer L. Roberts 3 A Time and a Place:
Rethinking Race in American Art History 49 Tanya Sheehan Dialogue 69 4 On
the Social History of American Art 71 Alan Wallach 5 Response: Our Cause Is
What? 85 Robin Kelsey 6 The Maker's Share: Tools for the Study of Process
in American Art 95 Ethan W. Lasser Dialogue 111 7 The Problem with Close
Looking 113 Martin A. Berger 8 Response: Look Away 128 Jennifer A.
Greenhill 9 Looking for Thomas Eakins: The Lure of the Archive and the
Object 146 Kathleen A. Foster Dialogue 165 10 The Challenge of
Contemporaneity, or, Thoughts on Art as Culture 167 Rachael Z. DeLue 11
Response: Writing History, Reading Art 183 Bryan Wolf Part II Geographies:
Rethinking Americanness 191 12 Teaching Across the Borders of North
American Art History 193 Wendy Bellion and Mónica Domínguez Torres 13 An
American Architecture? 211 Dell Upton 14 The Pacific World and American Art
History 228 J.M. Mancini 15 "Home" and "Homeless" in Art between the Wars
246 Angela Miller 16 Pueblo Painting in 1932: Folding Narratives of Native
Art into American Art History 264 Jessica L. Horton and Janet Catherine
Berlo 17 US American Art in the Americas 281 Mary K. Coffey 18 Geography
Lessons: Canadian Notes on American Art History 299 Frances K. Pohl 19 Only
in America: Exceptionalism, Nationalism, Provincialism 317 John Davis 20
Monolingualism, Multilingualism, and the Study of American Art 336 Jason D.
LaFountain Part III Subjectivities 357 21 Painters and Status in Colony and
Early Nation 359 Susan Rather 22 Pantaloons vs. Petticoats: Gender and
Artistic Identity in Antebellum America 378 Sarah Burns 23 Male or Man?:
The Politics of Emancipation in the Neoclassical Imaginary 395 Charmaine A.
Nelson 24 Drawing Boundaries, Crossing Borders: Trespassing and Identity in
American Art 414 Randall R. Griffey 25 Lookout: On Queer American Art and
History 433 Richard Meyer 26 From Nature to Ecology: The Emergence of
Ecocritical Art History 447 Alan C. Braddock 27 Art History as Collage: A
Personal Approach 468 David M. Lubin Part IV Art and Public Culture 487 28
Material Religion in Early America 489 Louis P. Nelson 29 Issues in Early
Mass Visual Culture 507 Michael Leja 30 Patrons, Collectors, and Markets
525 John Ott 31 Historicism in the American Built Environment 544 Kevin D.
Murphy 32 The Painting of Urban Life, 1880-1930 562 David Peters Corbett 33
Photography and Opium in a Nineteenth-Century Port City 581 Anthony W. Lee
34 Value in the Vernacular 599 Leo G. Mazow 35 Realism under Duress: The
1930s 617 Andrew Hemingway Index 637