Das Reisetagebuch, ein Genre zwischen dem Reiseführern und dem Künstlerbuch, hat sich zwischen dem textzentrierten journalistischen Dokumentationsstil und dem visuellen Reisebericht bewegt. Es ist ein literarisches und künstlerisches Genre, das komplex und plural, heterogen und subjektiv ist. Dieses Buch bringt die großen wissenschaftlichen und journalistischen Abenteuer in der Geschichte nahe, beginnend mit der Zeit Dürers, hat es seinen Schwerpunkt in der Zeit zwischen der ägyptischen Kampagne Napoleons bis zum Irak-Krieg, und beschreibt die künstlerischen Techniken und aktuellen Trends in…mehr
Das Reisetagebuch, ein Genre zwischen dem Reiseführern und dem Künstlerbuch, hat sich zwischen dem textzentrierten journalistischen Dokumentationsstil und dem visuellen Reisebericht bewegt. Es ist ein literarisches und künstlerisches Genre, das komplex und plural, heterogen und subjektiv ist. Dieses Buch bringt die großen wissenschaftlichen und journalistischen Abenteuer in der Geschichte nahe, beginnend mit der Zeit Dürers, hat es seinen Schwerpunkt in der Zeit zwischen der ägyptischen Kampagne Napoleons bis zum Irak-Krieg, und beschreibt die künstlerischen Techniken und aktuellen Trends in den heutigen Reise-Skizzenbüchern. Es erforscht auch intimere Territorien bei der Reisetagebücher die Essenz unserer Welt einfangen: die Erinnerungen zu bewahren. Zwischen Text und Bild reist diese beeindruckende Sammlung durch die Jahrhunderte und enthüllt die schönsten Seiten eines sehr menschlichen Abenteuers. Das Buch endet mit einem vollständigen Überblick über die verschiedenen Genres (von der Bildungsreise bis zur Reportage) und Arten von Reisetagebüchern (von Skizzenbüchern bis zu audiovisuellen Werken) sowie den sehr unterschiedlichen Techniken, die von verschiedenen Künstlern angewendet werden: von der Bleistiftarbeit bis zur Grafik, der Installation und den Mischtechniken. Als Erinnerungen an andere, meist ferne Orte dokumentieren Reisenotizbücher die Erfahrung, den Ort, den wir besuchen, um uns letztendlich selbst kennenzulernen. Sie waren Begleiter von Künstlern von Dürer bis Philip Delord, über die Orientalisten, Entdecker, Abenteurer, Soldaten und Ärzten.
Pascale Argod ist promovierter Informations- und Kommunikationswissenschaftlerin und Dozentin an der Universität Bordeaux. Als Mitglied einer Forschungsgruppe für Kultur- und Bildwissenschaft recherchiert sie Reiseskizzenbücher und Reisetagebücher und führt einen Blog zum diesem Thema.
Inhaltsangabe
Introduction A genre through history A meeting of the arts and human sciences The formative journey The humanist's training The trip to Italy The "veduta," souvenir of the trip to Italy The discovery of the world and the natural sciences The journey to the Americas The circumnavigations of botanists and naturalists Scientific expeditions through geography The quest for the evolution of species The Société de Géographie and the Société des Explorateurs Français Outdoor painting The aesthetics of the "picturesque" English watercolour, topographical drawing and architectural detail From romanticism to impressionism The call of the east The taste for exoticism and Egyptology The grand tour through the hand of writer artists The travel diary of the orientalist painters Eugene Delacroix's notebooks Naval painters and their port diaries The craze for tourism The art of reportage The birth of pictorial and travel reportage From press cartoons to the rise of the comic strip The illustrated travel reportage diary Picturesque publications and birth of ethnology and anthropology From ethnography to the constitution of the human sciences The anthropologist ethnologist's notebook From the album to the ethnographic cinema Art joins ethnography: the works of Paul Gauguin The hybridity of the twentieth and twenty First centuries From artist's book to interartistic work The legacy of artistic movements The livre d'artiste or artist's book The art of collage from cubism and the Dadaist movement The juxtaposition of heterogeneous images following pop art mail art since the fluxus movement Contemporary artists' inspiration Mathurin Méheut: polymorphic and ethnographic notebooks Le Corbusier: architecture notebooks Jean Dubuffet: notebooks and abstract notes Zao Wou Ki: notebooks and mixing Peter Beard: sketchbooks and collages Claude Lagoutte: traces of travel Max Pam: notebook scrapbooks Miquel Barceló: notebooks nomadic installations Hervé di Rosa: notebooks of the arts modestes Tony Soulié: "photo painting" books Jean Pattou: notebooks of urban paintings Julien "Seth" Malland : street art books The artistic and literary genre The literature of writing travellers "Illustrated" or "graphic" literature Road photographers The emergence of a publishing genre in france Travel guides and illustration Contemporary trends Towards the artist's travel book Towards illustrated reportage Towards the illustrated tourist guide Towards media flow and the combination of the arts Towards digital and transmedia artistic techniques The experience of travelling and observing, the artist, traveller and witness Characteristics Reporting and witnessing The text image link or the iconotextual Narrating the book through images The itinerary and the mental map Techniques Graphic arts adapted to travel The sensory work and the awakening of the senses The art of the portrait Travel and creative time Graphic reportage and sketches In the field and in the workshop The conceptual approach From palimpsest to work in progress Creativity and artistic innovation The mixing of graphic arts and freedom of expression The aesthetics of patchwork and the art of collage The book object and the form Combining media Book types A genre at the crossroads of the arts, writing and travel Reportage notebooks Reportage notebooks, "world notebooks" Court sketchbooks Social notebooks Meetings and portrait notebooks Humanitarian notebooks War diaries Notebooks on cultural and geopolitical diversity Sailors' diaries Scientific expedition notebooks Geographers' notebooks Show notebooks Heritage notebooks Regional heritage notebooks Architecture notebooks Memory notebooks Ethnographic notebooks Intercultural notebooks Cultural expedition notebooks Journey notebooks Urban notebooks Archaeology notebooks Geology notebooks Naturalist notebooks Foods and flavours notebooks Intermedia notebooks Travel exhibition Installation notebooks Travel diaries on stage Audio travel diaries Diaries audiovisual Multimedia travel diaries Digital and animated travel diaries Web notebooks Notebook artists Bruno Pilorget Bertrand De Miollis Cathy Beauvallet Elsie Herberstein Damien Chavanat Noëlle Herrenschmidt Denis Clavreul Alan Johnston Arnaud D'aunay Philippe Delord Giancarlo Iliprandi Emmanuel Michel Claire Et Reno Marca Titouan Lamazou Vincent Desplanche Urban Sketchers Simon Les Carnettistes Tribulants Stefano Faravelli Fabrice Moireau Lizzie Napoli Damien Roudeau Françoise Caillette Deneubourg Stéphanie Ledoux Gwenaëlle Trolez Catherine Legrand Patrick Chappatte Bastien Dubois Karen Guillorel David Lopez Julie Sarperi Emmanuelle Troy Edmond Baudouin Troub's Charles Berberian Jacques Ferrandez Loustal Marc P.G. Berthier Official Armed Forces Artists Michel Montigné Alain Bouldouyre Nicolas Vanier The Clermont Ferrand Travel Diary Meeting Bibliography Acknowledgements Photo credits
Introduction A genre through history A meeting of the arts and human sciences The formative journey The humanist's training The trip to Italy The "veduta," souvenir of the trip to Italy The discovery of the world and the natural sciences The journey to the Americas The circumnavigations of botanists and naturalists Scientific expeditions through geography The quest for the evolution of species The Société de Géographie and the Société des Explorateurs Français Outdoor painting The aesthetics of the "picturesque" English watercolour, topographical drawing and architectural detail From romanticism to impressionism The call of the east The taste for exoticism and Egyptology The grand tour through the hand of writer artists The travel diary of the orientalist painters Eugene Delacroix's notebooks Naval painters and their port diaries The craze for tourism The art of reportage The birth of pictorial and travel reportage From press cartoons to the rise of the comic strip The illustrated travel reportage diary Picturesque publications and birth of ethnology and anthropology From ethnography to the constitution of the human sciences The anthropologist ethnologist's notebook From the album to the ethnographic cinema Art joins ethnography: the works of Paul Gauguin The hybridity of the twentieth and twenty First centuries From artist's book to interartistic work The legacy of artistic movements The livre d'artiste or artist's book The art of collage from cubism and the Dadaist movement The juxtaposition of heterogeneous images following pop art mail art since the fluxus movement Contemporary artists' inspiration Mathurin Méheut: polymorphic and ethnographic notebooks Le Corbusier: architecture notebooks Jean Dubuffet: notebooks and abstract notes Zao Wou Ki: notebooks and mixing Peter Beard: sketchbooks and collages Claude Lagoutte: traces of travel Max Pam: notebook scrapbooks Miquel Barceló: notebooks nomadic installations Hervé di Rosa: notebooks of the arts modestes Tony Soulié: "photo painting" books Jean Pattou: notebooks of urban paintings Julien "Seth" Malland : street art books The artistic and literary genre The literature of writing travellers "Illustrated" or "graphic" literature Road photographers The emergence of a publishing genre in france Travel guides and illustration Contemporary trends Towards the artist's travel book Towards illustrated reportage Towards the illustrated tourist guide Towards media flow and the combination of the arts Towards digital and transmedia artistic techniques The experience of travelling and observing, the artist, traveller and witness Characteristics Reporting and witnessing The text image link or the iconotextual Narrating the book through images The itinerary and the mental map Techniques Graphic arts adapted to travel The sensory work and the awakening of the senses The art of the portrait Travel and creative time Graphic reportage and sketches In the field and in the workshop The conceptual approach From palimpsest to work in progress Creativity and artistic innovation The mixing of graphic arts and freedom of expression The aesthetics of patchwork and the art of collage The book object and the form Combining media Book types A genre at the crossroads of the arts, writing and travel Reportage notebooks Reportage notebooks, "world notebooks" Court sketchbooks Social notebooks Meetings and portrait notebooks Humanitarian notebooks War diaries Notebooks on cultural and geopolitical diversity Sailors' diaries Scientific expedition notebooks Geographers' notebooks Show notebooks Heritage notebooks Regional heritage notebooks Architecture notebooks Memory notebooks Ethnographic notebooks Intercultural notebooks Cultural expedition notebooks Journey notebooks Urban notebooks Archaeology notebooks Geology notebooks Naturalist notebooks Foods and flavours notebooks Intermedia notebooks Travel exhibition Installation notebooks Travel diaries on stage Audio travel diaries Diaries audiovisual Multimedia travel diaries Digital and animated travel diaries Web notebooks Notebook artists Bruno Pilorget Bertrand De Miollis Cathy Beauvallet Elsie Herberstein Damien Chavanat Noëlle Herrenschmidt Denis Clavreul Alan Johnston Arnaud D'aunay Philippe Delord Giancarlo Iliprandi Emmanuel Michel Claire Et Reno Marca Titouan Lamazou Vincent Desplanche Urban Sketchers Simon Les Carnettistes Tribulants Stefano Faravelli Fabrice Moireau Lizzie Napoli Damien Roudeau Françoise Caillette Deneubourg Stéphanie Ledoux Gwenaëlle Trolez Catherine Legrand Patrick Chappatte Bastien Dubois Karen Guillorel David Lopez Julie Sarperi Emmanuelle Troy Edmond Baudouin Troub's Charles Berberian Jacques Ferrandez Loustal Marc P.G. Berthier Official Armed Forces Artists Michel Montigné Alain Bouldouyre Nicolas Vanier The Clermont Ferrand Travel Diary Meeting Bibliography Acknowledgements Photo credits
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